Difference between revisions of "Video activism"

Revision as of 00:02, 24 July 2015

Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [1]
Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
Ege Berensel, "From Guerilla Television to Video-Activism, from Witness Video to Media-Activism: How to Resist Using Video", Goethe.de, 2012.

	Art and culture
Avant-garde and modernist magazines, Dance, Artists' publishing, Graphic design, Photography, Typewriter art, Multimedia environments, Design research, Video activism, Urban practices, Zine culture, Demoscene, VJing, Live cinema, Art and technology centres, Cyberfeminism, Art and activism, Community television, Hacktivism, Net culture, Community servers, Hackerspaces, CD-ROM art, Circuit bending, Pure Data, Media archives, VVVV, Maker culture, Glitch art, Live coding, Locative media, Libre graphics, Electromagnetism, Surf clubs, DIY biology, Decolonial aesthetics, Post-digital, Neural aesthetics. Visual art, Contents, Index, About.

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 ==Literature==
 * Michael Shamberg, Raindance Corporation, ''Guerrilla Television'', New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [http://archive.neural.it/init/default/show/1964]
-* Deidre Boyle, ''[http://monoskop.org/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.
+* Deidre Boyle, ''[http://{{SERVERNAME}}/log/?p=406 Subject to Change: Guerrilla Television Revisited]'', Oxford University Press, 1997.
 * Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011.
 * Ege Berensel, [http://www.goethe.de/ins/tr/lp/prj/art/med/str/en9835055.htm "From Guerilla Television to Video-Activism, from Witness Video to Media-Activism: How to Resist Using Video"], ''Goethe.de'', 2012.