Difference between revisions of "Video activism"
Jump to navigation
Jump to search
Sorindanut (talk | contribs) |
|||
| Line 12: | Line 12: | ||
* Deidre Boyle, ''Subject to Change: Guerrilla Television Revisited'', Oxford University Press, 1997. | * Deidre Boyle, ''Subject to Change: Guerrilla Television Revisited'', Oxford University Press, 1997. | ||
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011. | * Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011. | ||
| − | * Ege Berensel, [http://www.goethe.de/ins/tr/lp/prj/art/med/str/en9835055.htm | + | * Ege Berensel, [http://www.goethe.de/ins/tr/lp/prj/art/med/str/en9835055.htm "From Guerilla Television to Video-Activism, from Witness Video to Media-Activism: How to Resist Using Video"], ''Goethe.de'', undated. |
==See also== | ==See also== | ||
Revision as of 12:58, 5 February 2014
Pages
No pages meet these criteria.
Literature
- Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. ISBN 0-03-086714-2, 0-03-086735-5
- Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
- Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
- Ege Berensel, "From Guerilla Television to Video-Activism, from Witness Video to Media-Activism: How to Resist Using Video", Goethe.de, undated.
See also
- REDIRECT Template:Art and culture
