Difference between revisions of "Vladimir Bonačić"

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Born 1938 in Novi Sad, Yugoslavia. Died 1999 in Bonn, Germany. Croatian computer artist and cybernetician. Grew up in Zagreb, today HR, and studied electronics at the Faculty of Electrical Engineering and Computing, University of Zagreb (Ph.D. 1968). Postgraduate studies in London and Paris. 1968 started to utilize computer systems for cybernetic art. 1969–1973 head of the Laboratory for Cybernetics at the Ruđer Bošković Institute in Zagreb. Exhibited his first dynamic objects within [[New Tendencies]] exhibition in [[Zagreb]] in [[1969]], and then again in [[1973]]. Worked together with [[Ivan Picelj]], and since late 1960s with [[Miro A. Cimerman]]. In 1971 co-founded [[bcd|bcd - cybernetic art team]] with Cimerman and the architect [[Dunja Donassy]]. 1971 advisor to the UNESCO on art and science matters. 1972–1977 founding director of the “Jerusalem Program in Art and Science” at Bezalel Academy of Arts and Design, Jerusalem. 1973 member of the editorial advisory board of the journal Leonardo. 1978/1979 head of development of the multimedia and electronic library at the national library of Croatia, Zagreb, and the central library of the University of Zagreb. Moved to Germany in 1980 where he undertook R&D projects primarily in visual communications used by German television for election night reporting.
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{{Infobox artist
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|image = Stanislaw Drozdz.jpg
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|imagesize = 250px
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|caption = Photo by Andrzej Świetlik
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|birth_date = {{birth date|1938|10|20|mf=y}}
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|birth_place = [[Novi Sad]], [[Yugoslavia]]
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|death_date = {{Death date and age|1999|8|15|1938|10|20|mf=y}}
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|death_place = Ittenbach, [[Germany]]
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}}
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Croatian computer artist and cybernetician. Born 1938 in Novi Sad, Yugoslavia. Grew up in Zagreb and studied electronics at the Faculty of Electrical Engineering and Computing, University of Zagreb (Ph.D. 1968). Postgraduate studies in London and Paris.  
  
Studium der Elektronik in Zagreb, anschließend Leiter des "Laboratory of Cybernetics" im Rudjier Boskovic Institut in Zagreb
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In 1968 he started to utilize computer systems for cybernetic art. 1969–1973 head of the Laboratory for Cybernetics at the Ruđer Bošković Institute in Zagreb, where in 1970-1972 he led the research project "Pattern Recognition and Processing". At that time the also began development of "Computer Controlled Dynamic Object" with the support of UNESCO; and in 1971 served as an advisor to the UNESCO on art and science matters. Exhibited his first dynamic objects within [[New Tendencies]] exhibition in [[Zagreb]] in [[1969]], and then again in [[1973]]. He worked together with [[Ivan Picelj]], and since late 1960s with [[Miro A. Cimerman]].
1970—1972: Leitung des Forschungsprojekts "Pattern Recognition and Processing". Zur selben Zeit Beginn der Entwicklung "Computer Controlled Dynamik Object" mit Unterstützung der UNESCO. Auf Grund eines Einvernehmens zwischen dem Rudjier Boskovic Institut und der Israelischen Akademie der Wissenschaften Gründung eines Laboratoriums-Teams für Kybernetik in Jerusalem, Gründung eines Instituts und Professur für computerunterstützte Kunst am Bezalel-Institut in Jerusalem im Rahmen des "The Jerusalem Programme in Art and Science", einem Forschungs- und Ausbildungsprogramm für postgraduiertes interdisziplinäres Studium der Kunst und der Wissenschaft, Organisation des "The Bat Sheva Seminar on the Interaction of Art and Science", Zuteilung einer Hälfte des Erasmus-Preises für "The Jerusalem Programme in Art and Science", 1977 Rückkehr nach Zagreb — Vorbereitungen einer internationalen Bibliothek im Auftrag der UNESCO
 
  
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On the basis of an agreement between the Ruđer Bošković Institute and the Israel Academy of Sciences Bonačić established a laboratory team for cybernetics, [[bcd]], together with Cimerman and an architect [[Dunja Donassy]] (1971). In 1972 '''bcd - cybernetic art team''' moved to Israel and in 1973 founded the "Jerusalem Program in Art and Science", a research and training program for post-graduate interdisciplinary studies in art and science at the Bezalel Academy of Arts and Design in Jerusalem, which Bonačić directed until 1977, serving as a professor of computer-based art. For this program he established collaborations with the Hebrew University of Jerusalem and the Israel Museum. In 1974, he organized an international Bat Sheva seminar on [[The Interaction of Art and Science]], in which several New Tendencies protagonists, such as [[Jonathan Benthall]], [[Herbert W. Franke]], [[Frank Joseph Malina]], [[Abraham A. Moles]], [[A. Michael Noll]], and [[John Whitney]], participated. In 1975, [[Willem Sandberg]], a Dutch typographer and director of the [[Stedelijk Museum]], received the Erasmus Prize in Amsterdam. On Sandberg's recommendation, half of the prize was dedicated to "The Jerusalem Program in Art and Science".<ref>Fritz, Darko (2010). [http://www.bcs.org/upload/pdf/ewic_ca10_s1paper4.pdf "The Computer-Generated Artworks of Vladimir Bonačić"]. London: CAT 2010 London Conference: p 43.</ref>
  
; Articles
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In 1973 he became a member of the editorial advisory board of the journal [[Leonardo]]. 1978/1979 head of development of the multimedia and electronic library at the national library of Croatia, Zagreb, and the central library of the University of Zagreb. Moved to Germany in 1980 where he undertook R&D projects primarily in visual communications used by German television for election night reporting. He died 1999 in Germany.
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==Works==
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{{#widget:YouTube|id=Qw764twB0CM}}
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==Notes==
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{{Reflist|2}}
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==Bibliography==
 
* [[Darko Fritz]], "Vladimir Bonačić - Early Works, Zagreb 1968-1971", in: CIP, no. 07-08, 2006, UHA, Zagreb, pp. 50 -55 [http://darkofritz.net/text/bonacic.html] [http://darkofritz.net/text/CIP_no.07-08-2006_Fritz_Bonacic.pdf]
 
* [[Darko Fritz]], "Vladimir Bonačić - Early Works, Zagreb 1968-1971", in: CIP, no. 07-08, 2006, UHA, Zagreb, pp. 50 -55 [http://darkofritz.net/text/bonacic.html] [http://darkofritz.net/text/CIP_no.07-08-2006_Fritz_Bonacic.pdf]
* [[Darko Fritz]], "Vladimir Bonačić: Computer-Generated Works Made Within Zagreb’s New Tendencies Network (1961–1973)", in: ''Leonardo'', Volume 41, Number 2, April 2008, pp. 175-183 [http://darkofritz.net/text/LEON4102_pp175-183.pdf]
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* Darko Fritz, "Vladimir Bonačić: Computer-Generated Works Made Within Zagreb’s New Tendencies Network (1961–1973)", in: ''Leonardo'', Volume 41, Number 2, April 2008, pp. 175-183 [http://darkofritz.net/text/LEON4102_pp175-183.pdf]
 
* Boris Čučković, "Vladimir Bonačić: objekti, urbane instalacije i primijenjeni pseudoslučaj. Zagreb 1968 – Jeruzalem 1978", Rector award winning papers published on official pages of the University of Zagreb. Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences, 2010. [http://www.unizg.hr/rektorova/upload/BorisCuckovic-VladimirBonacic-rektorova-final.doc]
 
* Boris Čučković, "Vladimir Bonačić: objekti, urbane instalacije i primijenjeni pseudoslučaj. Zagreb 1968 – Jeruzalem 1978", Rector award winning papers published on official pages of the University of Zagreb. Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences, 2010. [http://www.unizg.hr/rektorova/upload/BorisCuckovic-VladimirBonacic-rektorova-final.doc]
 
* Darko Fritz, "The Computer-Generated Artworks of Vladimir Bonačić", CAT 2010 London Conference, 2010. [http://www.bcs.org/upload/pdf/ewic_ca10_s1paper4.pdf]
 
* Darko Fritz, "The Computer-Generated Artworks of Vladimir Bonačić", CAT 2010 London Conference, 2010. [http://www.bcs.org/upload/pdf/ewic_ca10_s1paper4.pdf]
  
  
http://dada.compart-bremen.de/node/4485<br>
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[http://dada.compart-bremen.de/node/4485 Vladimir Bonačić in Database of Digital Art]<br>
http://www.youtube.com/watch?v=Qw764twB0CM
 

Revision as of 17:27, 14 March 2012


Photo by Andrzej Świetlik
Born October 20, 1938(1938-10-20)
Novi Sad, Yugoslavia
Died August 15, 1999(1999-08-15) (aged 60)
Ittenbach, Germany

Croatian computer artist and cybernetician. Born 1938 in Novi Sad, Yugoslavia. Grew up in Zagreb and studied electronics at the Faculty of Electrical Engineering and Computing, University of Zagreb (Ph.D. 1968). Postgraduate studies in London and Paris.

In 1968 he started to utilize computer systems for cybernetic art. 1969–1973 head of the Laboratory for Cybernetics at the Ruđer Bošković Institute in Zagreb, where in 1970-1972 he led the research project "Pattern Recognition and Processing". At that time the also began development of "Computer Controlled Dynamic Object" with the support of UNESCO; and in 1971 served as an advisor to the UNESCO on art and science matters. Exhibited his first dynamic objects within New Tendencies exhibition in Zagreb in 1969, and then again in 1973. He worked together with Ivan Picelj, and since late 1960s with Miro A. Cimerman.

On the basis of an agreement between the Ruđer Bošković Institute and the Israel Academy of Sciences Bonačić established a laboratory team for cybernetics, bcd, together with Cimerman and an architect Dunja Donassy (1971). In 1972 bcd - cybernetic art team moved to Israel and in 1973 founded the "Jerusalem Program in Art and Science", a research and training program for post-graduate interdisciplinary studies in art and science at the Bezalel Academy of Arts and Design in Jerusalem, which Bonačić directed until 1977, serving as a professor of computer-based art. For this program he established collaborations with the Hebrew University of Jerusalem and the Israel Museum. In 1974, he organized an international Bat Sheva seminar on The Interaction of Art and Science, in which several New Tendencies protagonists, such as Jonathan Benthall, Herbert W. Franke, Frank Joseph Malina, Abraham A. Moles, A. Michael Noll, and John Whitney, participated. In 1975, Willem Sandberg, a Dutch typographer and director of the Stedelijk Museum, received the Erasmus Prize in Amsterdam. On Sandberg's recommendation, half of the prize was dedicated to "The Jerusalem Program in Art and Science".[1]

In 1973 he became a member of the editorial advisory board of the journal Leonardo. 1978/1979 head of development of the multimedia and electronic library at the national library of Croatia, Zagreb, and the central library of the University of Zagreb. Moved to Germany in 1980 where he undertook R&D projects primarily in visual communications used by German television for election night reporting. He died 1999 in Germany.

Works

Notes

  1. Fritz, Darko (2010). "The Computer-Generated Artworks of Vladimir Bonačić". London: CAT 2010 London Conference: p 43.

Bibliography

  • Darko Fritz, "Vladimir Bonačić - Early Works, Zagreb 1968-1971", in: CIP, no. 07-08, 2006, UHA, Zagreb, pp. 50 -55 [1] [2]
  • Darko Fritz, "Vladimir Bonačić: Computer-Generated Works Made Within Zagreb’s New Tendencies Network (1961–1973)", in: Leonardo, Volume 41, Number 2, April 2008, pp. 175-183 [3]
  • Boris Čučković, "Vladimir Bonačić: objekti, urbane instalacije i primijenjeni pseudoslučaj. Zagreb 1968 – Jeruzalem 1978", Rector award winning papers published on official pages of the University of Zagreb. Zagreb: University of Zagreb, Faculty of Humanities and Social Sciences, 2010. [4]
  • Darko Fritz, "The Computer-Generated Artworks of Vladimir Bonačić", CAT 2010 London Conference, 2010. [5]


Vladimir Bonačić in Database of Digital Art