Difference between revisions of "Volné směry"

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'''Volné směry: umělecký mĕsíčník''' was a monthly (1897-1948) of the Mánes Association of Fine Artists in [[Prague]], a large, secessionist exhibition society that facilitated contacts between Czech artists and the European avant-garde. For many years it was the premier Bohemian avant-garde periodical, with contributions on art, architecture, and literature.
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'''Volné směry: umělecký mĕsíčník''' was a monthly (1897-1948) of the Mánes Association of Fine Artists in Prague, a large, secessionist exhibition society that facilitated contacts between Czech artists and the European avant-garde. For many years it was the premier Bohemian avant-garde periodical, with contributions on art, architecture, and literature.
  
 
Edited by Miloš Jiránek, [[Jan Preisler]] and [[František Xaver Šalda]]. Among the contributors were Julius Meier Graefe, Jan Kotěra, František Bilek, or Karel Vitĕzslav.
 
Edited by Miloš Jiránek, [[Jan Preisler]] and [[František Xaver Šalda]]. Among the contributors were Julius Meier Graefe, Jan Kotěra, František Bilek, or Karel Vitĕzslav.
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==Issues==
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* [http://bluemountain.princeton.edu/bluemtn/cgi-bin/bluemtn?a=cl&cl=CL1&sp=bmtnaan Scans in Blue Mountain Project]
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* [http://archive.org/search.php?query=creator%3A%22Spolek+v%C3%BDtvarn%C3%BDch+um%C4%9Blc%C5%AF+M%C3%A1nes%22 Scans in Internet Archive]
  
 
==Literature==
 
==Literature==
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* Nicholas Sawicki, "The View From Prague: ''Moderní revue'' (1894-1925); ''Volné směry'' (1896-1949); ''Umělecký měsíčník'' (1911-14); ''Revoluční sborník Devětsil'' (1922); ''Život'' (1922); ''Disk'' (1923-5); ''Pásmo'' (1924-6); and ''ReD'' (1927-31)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Volume III, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [http://www.academia.edu/2626318/] [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1075]
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* Nicholas Sawicki, "The View From Prague: ''Moderní revue'' (1894-1925); ''Volné směry'' (1896-1949); ''Umělecký měsíčník'' (1911-14); ''Revoluční sborník Devětsil'' (1922); ''Život'' (1922); ''Disk'' (1923-5); ''Pásmo'' (1924-6); and ''ReD'' (1927-31)", in ''The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3, Europe 1880-1940'', eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [http://www.academia.edu/2626318/] [http://books.google.com/books?id=bvsfioiQ8k8C&pg=PA1075]
  
 
==See also==
 
==See also==
 
* [[Czech Republic#Avant-garde]]
 
* [[Czech Republic#Avant-garde]]
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==Links==
 
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* [http://library.princeton.edu/projects/bluemountain/voln%C3%A9-sm%C4%9Bry-um%C4%9Bleck%C3%BD-m%C4%95s%C3%AD%C4%8Dn%C3%ADk-0 Volné směry at Blue Mountain Project]
 
  
  
 
{{Avant-garde and modernist magazines}}
 
{{Avant-garde and modernist magazines}}

Revision as of 20:59, 9 August 2014

Volné směry: umělecký mĕsíčník was a monthly (1897-1948) of the Mánes Association of Fine Artists in Prague, a large, secessionist exhibition society that facilitated contacts between Czech artists and the European avant-garde. For many years it was the premier Bohemian avant-garde periodical, with contributions on art, architecture, and literature.

Edited by Miloš Jiránek, Jan Preisler and František Xaver Šalda. Among the contributors were Julius Meier Graefe, Jan Kotěra, František Bilek, or Karel Vitĕzslav.

Issues

Literature

  • Nicholas Sawicki, "The View From Prague: Moderní revue (1894-1925); Volné směry (1896-1949); Umělecký měsíčník (1911-14); Revoluční sborník Devětsil (1922); Život (1922); Disk (1923-5); Pásmo (1924-6); and ReD (1927-31)", in The Oxford Critical and Cultural History of Modernist Magazines, Vol. 3, Europe 1880-1940, eds. Brooker, Bru, Thacker, and Weikop, Oxford University Press, 2013, pp 1074-1098. [1] [2]

See also


Avant-garde and modernist magazines

Poesia (1905-09, 1920), Der Sturm (1910-32), Blast (1914-15), The Egoist (1914-19), The Little Review (1914-29), 291 (1915-16), MA (1916-25), De Stijl (1917-20, 1921-32), Dada (1917-21), Noi (1917-25), 391 (1917-24), Zenit (1921-26), Broom (1921-24), Veshch/Gegenstand/Objet (1922), Die Form (1922, 1925-35), Contimporanul (1922-32), Secession (1922-24), Klaxon (1922-23), Merz (1923-32), LEF (1923-25), G (1923-26), Irradiador (1923), Sovremennaya architektura (1926-30), Novyi LEF (1927-29), ReD (1927-31), Close Up (1927-33), transition (1927-38).

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