Difference between revisions of "Walter Porstmann"

From Monoskop
Jump to navigation Jump to search
Line 1: Line 1:
 
A German engineer and mathematician, the creator of format A4.  
 
A German engineer and mathematician, the creator of format A4.  
  
In his 1920 book ''Sprache und Schrift'' he advocated, for purely economic reasons, a "single alphabet" (all lower case) and envisioned the development of a universal typeface with which eventually all languages of the world could be written. The idea of unicase typography was adopted by [[Bauhaus]] and proponents of the New Typography. [[Laszlo Moholy-Nagy]] read the book; [[Herbert Bayer]] designed a unicase font called Universal; [[Jan Tschichold]] made another. [http://books.google.com/books?id=VEmZRkK2aDoC&pg=PT203] [http://books.google.com/books?id=cAj85QYZmLUC&pg=PA142] [http://listserv.heanet.ie/cgi-bin/wa?A2=TYPO-L;0JA3Jg;19960704004700%2B0200]
+
In his 1920 book ''Sprache und Schrift'' he advocated, for purely economic reasons, a "single alphabet" (all lower case) and envisioned the development of a universal typeface with which eventually all languages of the world could be written. [http://archive.org/stream/Porstmann1920/Porstmann_1920#page/n73/mode/1up] The idea of unicase typography was adopted by [[Bauhaus]] and proponents of the New Typography. [[Laszlo Moholy-Nagy]] read the book; [[Herbert Bayer]] designed a unicase font called Universal; [[Jan Tschichold]] made another. [http://books.google.com/books?id=VEmZRkK2aDoC&pg=PT203] [http://books.google.com/books?id=cAj85QYZmLUC&pg=PA142] [http://listserv.heanet.ie/cgi-bin/wa?A2=TYPO-L;0JA3Jg;19960704004700%2B0200]
  
 
; Works
 
; Works

Revision as of 12:39, 11 August 2014

A German engineer and mathematician, the creator of format A4.

In his 1920 book Sprache und Schrift he advocated, for purely economic reasons, a "single alphabet" (all lower case) and envisioned the development of a universal typeface with which eventually all languages of the world could be written. [1] The idea of unicase typography was adopted by Bauhaus and proponents of the New Typography. Laszlo Moholy-Nagy read the book; Herbert Bayer designed a unicase font called Universal; Jan Tschichold made another. [2] [3] [4]

Works
Literature
  • Markus Krajewski, Restlosigkeit. Weltprojekte um 1900, Frankfurt am Main: Fischer, 2006, pp 64-140. (in German)
Links