Difference between revisions of "Walter Porstmann"
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| − | * ''[http://archive.org/details/Porstmann1920 Sprache und Schrift]'' [Languages and Writing], 1920. | + | * ''[http://archive.org/details/Porstmann1920 Sprache und Schrift]'' [Languages and Writing], 1920. {{de}} |
; Literature | ; Literature | ||
| − | * Markus Krajewski, ''Restlosigkeit. Weltprojekte um 1900'', Frankfurt am Main: Fischer, 2006, pp 64-140. | + | * Markus Krajewski, ''Restlosigkeit. Weltprojekte um 1900'', Frankfurt am Main: Fischer, 2006, pp 64-140. {{de}} |
; Links | ; Links | ||
* http://de.wikipedia.org/wiki/Walter_Porstmann | * http://de.wikipedia.org/wiki/Walter_Porstmann | ||
* http://www.goethe.de/ins/se/prj/afo/fac/su4/enindex.htm | * http://www.goethe.de/ins/se/prj/afo/fac/su4/enindex.htm | ||
Latest revision as of 17:36, 18 October 2016
A German engineer and mathematician, the creator of format A4.
In his 1920 book Sprache und Schrift he advocated, for purely economic reasons, a "single alphabet" (all lower case) and envisioned the development of a universal typeface with which eventually all languages of the world could be written. [1] The idea of unicase typography was adopted by Bauhaus and proponents of the New Typography. Laszlo Moholy-Nagy read the book; Herbert Bayer designed a unicase font called Universal; Jan Tschichold made another. [2] [3] [4] [5]
- Works
- Sprache und Schrift [Languages and Writing], 1920. (German)
- Literature
- Markus Krajewski, Restlosigkeit. Weltprojekte um 1900, Frankfurt am Main: Fischer, 2006, pp 64-140. (German)
- Links
