Difference between revisions of "Wilhelm Worringer"
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(in German unless noted) | (in German unless noted) | ||
* ''Abstraktion und Einfühlung: ein Beitrag zur Stilpyschologie'', Neuwied: Heuser, 1907, 118 pp, [http://archive.org/details/gri_33125008469211 IA], [http://archive.org/details/abstraktionundei00worr_1 IA]; repr., Munich: R. Piper, 1908; 3rd ed., 1911, [http://archive.org/details/abstraktionundei00worr IA]; 11th ed., 1912, [http://archive.org/details/abstraktionundei00worruoft IA]; new ed., new forew., 1948; new ed., ed. Helga Grebing, intro. Claudia Öhlschläger, Munich: Wilhelm Fink, 2007. PhD dissertation. | * ''Abstraktion und Einfühlung: ein Beitrag zur Stilpyschologie'', Neuwied: Heuser, 1907, 118 pp, [http://archive.org/details/gri_33125008469211 IA], [http://archive.org/details/abstraktionundei00worr_1 IA]; repr., Munich: R. Piper, 1908; 3rd ed., 1911, [http://archive.org/details/abstraktionundei00worr IA]; 11th ed., 1912, [http://archive.org/details/abstraktionundei00worruoft IA]; new ed., new forew., 1948; new ed., ed. Helga Grebing, intro. Claudia Öhlschläger, Munich: Wilhelm Fink, 2007. PhD dissertation. | ||
| − | ** ''Abstraction and Empathy'', trans. Michael Bullock, New York: International University Press, 1953; new ed., intro. Hilton Kramer, Chicago: Ivan R. Dee, 1997, 144 pp, [http://libgen.io/book/index.php?md5=E54AB5BCAD1E3258C0CC7251B6EC2C05 DJVU]. {{en}} | + | ** ''Abstraction and Empathy: a Contribution to the Psychology of Style'', trans. Michael Bullock, New York: International University Press, 1953; new ed., intro. Hilton Kramer, Chicago: Ivan R. Dee, 1997, 144 pp, [http://libgen.io/book/index.php?md5=E54AB5BCAD1E3258C0CC7251B6EC2C05 DJVU], [http://aaaaarg.fail/ref/6e3be07d3aa9f8c1491b12b09996749b#0.01 ARG]. {{en}} |
** ''Abstracción y naturaleza'', trans. Mariana Frank, México: Fondo de Cultura Económica, 1953, 137 pp; 1975. {{es}} | ** ''Abstracción y naturaleza'', trans. Mariana Frank, México: Fondo de Cultura Económica, 1953, 137 pp; 1975. {{es}} | ||
** ''Chusho to kanjo inyu'', trans. Masao Kusanagi, Tokyo: Iwanami Shoten, 1953. {{jp}} | ** ''Chusho to kanjo inyu'', trans. Masao Kusanagi, Tokyo: Iwanami Shoten, 1953. {{jp}} | ||
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| + | * ''Lucas Cranach'', Munich: Piper, 1908. | ||
* ''Formprobleme der Gotik'', Munich: R. Piper, 1912; 2nd ed., 1912, [http://archive.org/details/formproblemederg00worr IA], [https://archive.org/details/formproblemederg00worruoft IA]. | * ''Formprobleme der Gotik'', Munich: R. Piper, 1912; 2nd ed., 1912, [http://archive.org/details/formproblemederg00worr IA], [https://archive.org/details/formproblemederg00worruoft IA]. | ||
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* ''Die altdeutsche Buchillustratoren'', Munich: Piper, 1912; 2nd ed., 1919, [http://archive.org/details/diealtdeutschebu00worr IA], [http://archive.org/details/diealtdeutsche00worr IA]; 3rd ed., 1921, [http://archive.org/details/diealtdeutschebu00worruoft IA]. | * ''Die altdeutsche Buchillustratoren'', Munich: Piper, 1912; 2nd ed., 1919, [http://archive.org/details/diealtdeutschebu00worr IA], [http://archive.org/details/diealtdeutsche00worr IA]; 3rd ed., 1921, [http://archive.org/details/diealtdeutschebu00worruoft IA]. | ||
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| + | * ''Künstlerische Zeitfragen'', Munich: Brickmann, 1921. | ||
* ''Die Anfänge der deutschen Tafelmalerei'', Leipzig: Insel, 1924, 349 pp, [http://libgen.io/book/index.php?md5=AB3479AD07F7244EC3DE5792363C94D6 PDF]. | * ''Die Anfänge der deutschen Tafelmalerei'', Leipzig: Insel, 1924, 349 pp, [http://libgen.io/book/index.php?md5=AB3479AD07F7244EC3DE5792363C94D6 PDF]. | ||
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* ''Käthe Kollwitz'', Königsberg: Grafen und Unger, 1931. | * ''Käthe Kollwitz'', Königsberg: Grafen und Unger, 1931. | ||
| − | * '' | + | * ''Über den Einfluss der angelsächsischen Buchmalerei auf die frühmittelalterliche Monumentalplastik des Kontinents'', Halle: Niemeyer, 1931, 16+xii pp. |
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* ''Problematik der Gegenwartskunst'', Munich: Piper, 1948. | * ''Problematik der Gegenwartskunst'', Munich: Piper, 1948. | ||
| − | * '' | + | * ''Fragen und Gegenfragen. Schriften zum Kunstproblem'', Munich: Piper, 1956, [http://openlibrary.org/works/OL2660633W OL]. |
==Links== | ==Links== | ||
* http://dictionaryofarthistorians.org/worringerw.htm | * http://dictionaryofarthistorians.org/worringerw.htm | ||
Revision as of 18:22, 8 April 2016
Wilhelm Worringer (1881, Aachen - 1965, Munich) was a German art historian and theoretician of Expressionism.
Works
(in German unless noted)
- Abstraktion und Einfühlung: ein Beitrag zur Stilpyschologie, Neuwied: Heuser, 1907, 118 pp, IA, IA; repr., Munich: R. Piper, 1908; 3rd ed., 1911, IA; 11th ed., 1912, IA; new ed., new forew., 1948; new ed., ed. Helga Grebing, intro. Claudia Öhlschläger, Munich: Wilhelm Fink, 2007. PhD dissertation.
- Abstraction and Empathy: a Contribution to the Psychology of Style, trans. Michael Bullock, New York: International University Press, 1953; new ed., intro. Hilton Kramer, Chicago: Ivan R. Dee, 1997, 144 pp, DJVU, ARG. (English)
- Abstracción y naturaleza, trans. Mariana Frank, México: Fondo de Cultura Económica, 1953, 137 pp; 1975. (Spanish)
- Chusho to kanjo inyu, trans. Masao Kusanagi, Tokyo: Iwanami Shoten, 1953. (Japanese)
- Lucas Cranach, Munich: Piper, 1908.
- Formprobleme der Gotik, Munich: R. Piper, 1912; 2nd ed., 1912, IA, IA.
- Form Problems of the Gothic, New York: Stechert, 1920, IA. (English)
- L’Art gothique, trans. D. Decourdemanche, Paris: Gallimard, 1941. (French)
- Form in Gothic, trans. Herbert Read, London: A. Tiranti, 1957. (English)
- Künstlerische Zeitfragen, Munich: Brickmann, 1921.
- Die Anfänge der deutschen Tafelmalerei, Leipzig: Insel, 1924, 349 pp, PDF.
- Ägyptische Kunst: Probleme ihre Werte, Munich: Piper, 1927, 110 pp, PDF.
- Egyptian Art, trans., ed. & pref. Bernard Rackham, London: Putnam's Sons, 1928, 95 pp, PDF. (English)
- Griechentum und Gotik: vom Weltreich des Hellenismus, Munich: Piper, 1928, 108 pp, PDF.
- Käthe Kollwitz, Königsberg: Grafen und Unger, 1931.
- Über den Einfluss der angelsächsischen Buchmalerei auf die frühmittelalterliche Monumentalplastik des Kontinents, Halle: Niemeyer, 1931, 16+xii pp.
- Problematik der Gegenwartskunst, Munich: Piper, 1948.
- Fragen und Gegenfragen. Schriften zum Kunstproblem, Munich: Piper, 1956, OL.
