Difference between revisions of "Zero"

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m (Text replacement - "/b/Pmo8k86IBpnKNKu8E5PxDV4IftMzh0oRtlKFxEXuYQcR1RZO" to "/#/book/a1737fdc-53e6-4023-a384-555060138285")
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* ''The Artist as Curator: Collaborative Initiatives in the International ZERO Movement, 1957-1967'', eds. Tiziana Caianiello and Mattijs Visser, Düsseldorf: ZERO Foundation, and Gand: AsaMER, 2015, 536 pp. Review: [https://critiquedart.revues.org/21450 Bariteaud] (Critique d'art). [http://www.anagrambooks.com/the-artist-as-curator]
 
* ''The Artist as Curator: Collaborative Initiatives in the International ZERO Movement, 1957-1967'', eds. Tiziana Caianiello and Mattijs Visser, Düsseldorf: ZERO Foundation, and Gand: AsaMER, 2015, 536 pp. Review: [https://critiquedart.revues.org/21450 Bariteaud] (Critique d'art). [http://www.anagrambooks.com/the-artist-as-curator]
 
* Joseph D. Ketner II, ''[http://library.memoryoftheworld.org/#/book/a1737fdc-53e6-4023-a384-555060138285 Witness to Phenomenon: Group ZERO and the Development of New Media in Postwar European Art]'', Bloomsburgy Academic, 2018.  
 
* Joseph D. Ketner II, ''[http://library.memoryoftheworld.org/#/book/a1737fdc-53e6-4023-a384-555060138285 Witness to Phenomenon: Group ZERO and the Development of New Media in Postwar European Art]'', Bloomsburgy Academic, 2018.  
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* ZERO foundation, Tiziana Caianiello, Barbara Könches (eds.), ''[https://books.ub.uni-heidelberg.de/arthistoricum/catalog/book/541?lang=en Between the Viewer and the Work: Encounters in Space: Essays on ZERO Art]'', Heidelberg: arthistoricum.net, 2019.
  
 
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Revision as of 21:04, 15 April 2020

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