Alexander G. Weheliye: Phonographies: Grooves in Sonic Afro-Modernity (2005)

“Phonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye contends that the interplay between sound technologies and black music and speech enabled the emergence of modern black culture, of what he terms ‘sonic Afro-modernity’. He shows that by separating music and speech from their human sources, sound-recording technologies beginning with the phonograph generated new modes of thinking, being, and becoming. Black artists used these new possibilities to revamp key notions of modernity—among these, ideas of subjectivity, temporality, and community. Phonographies is a powerful argument that sound technologies are integral to black culture, which is, in turn, fundamental to Western modernity.

Weheliye surveys literature, film, and music to focus on engagements with recorded sound. He offers substantial new readings of canonical texts by W. E. B. Du Bois and Ralph Ellison, establishing dialogues between these writers and popular music and film ranging from Louis Armstrong’s voice to DJ mixing techniques to Darnell Martin’s 1994 movie I Like It Like That. Looking at how questions of diasporic belonging are articulated in contemporary black musical practices, Weheliye analyzes three contemporary Afro-diasporic musical acts: the Haitian and African American rap group the Fugees, the Afro- and Italian-German rap collective Advanced Chemistry, and black British artist Tricky and his partner Martina. Phonographies imagines the African diaspora as a virtual sounding space, one that is marked, in the twentieth century and twenty-first, by the circulation of culture via technological reproductions—records and tapes, dubbing and mixing, and more.”

Publisher Duke University Press, Durham, NC, 2005
ISBN 0822335778, 9780822335771
xii+286 pages

Reviews: Matthew Somoroff (NewBlackMan, 2006), Greg Tate (Souls, 2007), Emma Louise Kilkelly (Journal of American Studies, 2007), George Lipsitz (Journal of the Society for American Music, 2008).

Commentary: Alexander G. Weheliye (Small Axe, 2014), Tavia Nyong’o (Small Axe, 2014).

Publisher
WorldCat

PDF (updated on 2021-4-13)

Beverly Guy-Sheftall (ed.): Words of Fire: An Anthology of African-American Feminist Thought (1995)

“This anthology traces the development, from the early 1800s to the present, of black feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall’s comprehensive collection of writings, in the feminist tradition, of more than sixty African American women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of contemporary feminist critics Michele Wallace and bell hooks, black women have been writing about the multiple jeopardies—racism, sexism, and classism—that have made it imperative for them to forge a brand of feminism uniquely their own.”

With an epilogue by Johnnetta B. Cole
Publisher The New Press, New York, 1995
ISBN 1565842561, 9781565842564
xxvi+577 pages

Reviews: Yvonne Chireau (Georgia Historical Quarterly, 1996), Kamili Anderson (Diverse, 2007).

Publisher
WorldCat

PDF (6 MB)

See also This Bridge Called My Back: Writings by Radical Women of Color (1981) and Home Girls: A Black Feminist Anthology (1983).

Barbara Smith (ed.): Home Girls: A Black Feminist Anthology (1983)

“The pioneering anthology Home Girls features writings by Black feminist and lesbian activists. Since its initial publication in 1983, it has become an essential text on Black women’s lives and writings.”

The book grew out of Conditions magazine’s November 1979 issue, edited by Barbara Smith and Lorraine Bethel. Conditions 5 was “the first widely distributed collection of Black feminist writing in the U.S.”

Contributors: Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.

Publisher Kitchen Table: Women of Color Press, New York, 1983
Reprint Rutgers University Press, New Brunswick, NJ, 2000
ISBN 0913175021, 9780913175026
lviii+376 pages

Reviews: Melba Wilson (Feminist Review, 1984), Gabrielle Daniels (Women’s Review of Books, 1984), C. Lynn Munro (Black American Literature Forum, 1984), Linda Pannill (Callaloo, 1984), Caroline A. Streeter (Off Our Back, 1984), Hortense Spillers (Tulsa Studies in Women’s Literature, 1984).

Wikipedia
WorldCat

PDF (7 MB)

See also This Bridge Called My Back: Writings by Radical Women of Color (1981) and Words of Fire: An Anthology of African-American Feminist Thought (1995).