Islands in the clickstream: reflections on life in a virtual world

10 March 2009, pht

Richard Thieme is one of the most visible commentators on technology and society, appearing often on CNN radio, TechTV, and various other national media outlets. He is also in great demand as a public speaker, delivering his Human Dimension of Technology talk to over 50,000 live audience members each year. Islands in the Clickstream is a single volume “best of Richard Thieme.”

CNN called Richard Thieme “a member of the cyber avant-garde”. Digital Delirium named him “one of the most creative minds of the digital generation”. Now Richard Thieme’s wisdom on the social and cultural dimensions of technology is available in a single volume. “Islands in the Clickstream” ranges beyond the impact of technology to spirituality, psychological insight, and social commentary. Now that people are used to living in virtual worlds and move easily between online and offline worlds, they want to connect that experience to the deeper issues of our lives, including spiritual issues. Some examples include “Dreams Engineers Have”, “The Crazy Lady on the Treadmill”, and “Whistleblowers and Team Players”. These essays raise serious questions for thoughtful readers. They have attracted favorable commentary from around the world and a fanatic, almost rabid fan base. This author has become an extremely popular and highly visible talking head. He is a rare “personality” in the otherwise bland world of technology commentators. The book leverages the loyalty of his audience in the same way Bill O’Reilly’s “The O’Reilly Factor” and Al Franken’s “Lies and the Lying Liars Who Tell Them” do. The book is an easy read intended to provoke thought, discussion and disagreement

Islands in the clickstream: reflections on life in a virtual world
By Richard Thieme, Andrew Briney
Contributor Andrew Briney
Published by Syngress, 2004
ISBN 1931836221, 9781931836227
336 pages
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Peter Krapp: Déjà Vu: Aberrations of Cultural Memory (2004)

9 March 2009, pht

Referring to a past that never was, déjà vu shares a structure not only with fiction, but also with the ever more sophisticated effects of media technology. Tracing the term from the end of the nineteenth century, when it was first popularized in the pages of the Revue philosophique, Peter Krapp examines the genealogy and history of the singular and unrepeatable experience of déjà vu. This provocative book offers a refreshing counterpoint to the clichid celebrations of cultural memory and forces us do a double take on the sanctimonious warnings against forgetting so common in our time.

Disturbances of cultural memory-screen memories, false recognitions, premonitions-disrupt the comfort zone of memorial culture: strictly speaking, dij vu is neither a failure of memory nor a form of forgetting. Krapp’s analysis of such disturbances in literature, art, and mass media introduces, historicizes, and theorizes what it means to speak of an economy of attention or distraction. Reaching from the early psychoanalytic texts of Sigmund Freud to the plays of Heiner M]ller, this exploration of the effects of dij vu pivots around the work of Walter Benjamin and includes readings of kitsch and aura in Andy Warhol’s work, of cinematic violence and certain exaggerated claims about shooting and cutting, of the memorial character of architecture, and of the high expectations raised by the Internet.

Published by U of Minnesota Press, 2004
ISBN 0816643342, 9780816643349
218 pages

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Connected, or, What it means to live in the network society

9 March 2009, pht

In the twenty-first century, a network society is emerging. Fragmented, visually saturated, characterized by rapid technological change and constant social upheavals, it is dizzying, excessive, and sometimes surreal. In this breathtaking work, Steven Shaviro investigates popular culture, new technologies, political change, and community disruption and concludes that science fiction and social reality have become virtually indistinguishable. Connected is made up of a series of mini-essays–on cyberpunk, hip-hop, film noir, Web surfing, greed, electronic surveillance, pervasive multimedia, psychedelic drugs, artificial intelligence, evolutionary psychology, and the architecture of Frank Gehry, among other topics. Shaviro argues that our strange new world is increasingly being transformed in ways, and by devices, that seem to come out of the pages of science fiction, even while the world itself is becoming a futuristic landscape. The result is that science fiction provides the most useful social theory, the only form that manages to be as radical as reality itself. Connected looks at how our networked environment has manifested itself in the work of J. G. Ballard, William S. Burroughs, Philip K. Dick, William Gibson, K. W. Jeter, and others. Shaviro focuses on science fiction not only as a form of cultural commentary but also as a prescient forum in which to explore the forces that are morphing our world into a sort of virtual reality game. Original and compelling, Connected shows how the continual experimentation of science fiction, like science and technology themselves, conjures the invisible social and economic forces that surround us. One of our most exciting thinkers explores thelook and feel of our cultural moment.

Connected, or, What it means to live in the network society
By Steven Shaviro
Published by U of Minnesota Press, 2003
ISBN 0816643636, 9780816643639
289 pages

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Review (Kathleen Fitzpatrick), Review (Jarice Hanson), Review (Meredith Tromble)

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