Franz Roh, Jan Tschichold (eds.), Foto-Auge: 76 Fotos der Zeit / Œil et photo: 76 photographies de notre temps / Photo-Eye: 76 Photos of the Period (1929) [DE/FR/EN]

9 July 2019, dusan

“Two books were published to accompany the 1929 Film und Foto exhibition in Stuttgart organised by the Deutscher Werkbund: Foto-Auge, edited by Franz Roh and Jan Tschichold, and Es kommt der neue Fotograf!, edited by Werner Gräff. With its cover of El Lissitzky‘s now famous Self Portrait of the artist as a hand in service to the eye celebrating the monocular medium (photography), Foto-Auge served both as an catalogue of the work exhibited as well as a visual polemic detailing László Moholy-Nagy‘s New Vision. Featuring work from the world’s leading modernist photographers, as well as anonymous news and bureau photos, Roh’s and Tschichold’s editing and sequencing energetically riff on the Bauhausian notion of enlightened objectivity.”

With photographs by Piet Zwart, John Heartfield, El Lissitzky, Eugène Atget, Andreas Feininger, Max Ernst, Herbert Bayer, Willi Baumeister, George Grosz, Gutschow, Florence Henri, Hannah Höch, Hans Leistikow, Max Burchartz, László Moholy-Nagy, Walter Peterhans, Man Ray, Albert Renger-Patzsch, Geert Paul, Hendrikus Schuitema, Maurice Tabard, Karel Teige, Grete Vester, Dsiga Wertoff, Edward Weston, Umbo, a.o. Introduction by Franz Roh (“Mechanismus und Ausdruck. Wesen und Wert der Fotographie”).

Publisher Akademischer Verlag Dr. Fritz Wedekind, Stuttgart, 1929
Designer Jan Tschichold
Printer Heinrich Fink
18+[76] pages, 30 x 21 cm
via Thebaus

Commentary: Inka Graeve Ingelmann (MoMA, 2014), Object:Photo exhibition (MoMA, 2014), Felix (Wiedler.ch, n.d.).

WorldCat

PDF (166 MB)

Linda Dement: Cyberflesh Girlmonster (1995)

1 July 2019, dusan

“At the Adelaide Festival 1994, about 30 women donated body parts by scanning their chosen flesh and digitally recording sound. From these, conglomerate bodies were created, animated and made interactive.

When a viewer clicks on one of these monsters, the words attached to that body part could be heard or seen, another monster may appear, a digital video could play, a story or biological information about the physical state described by the story, may be displayed.

Cyberflesh Girlmonster is a macabre comedy of monstrous femininity, of revenge, desire and violence.”

The .iso also contains Linda Dement‘s work Typhoid Mary.

Published in Sydney, 1995
via Sandra Fauconnier

Author
WorldCat

Internet Archive (Mac CD-ROM ISO, PDFs)
Video emulation (8 min)
Booklet PDF

Fred Moten, Wu Tang: Who Touched Me? (2016)

6 June 2019, dusan

Who Touched Me? is a compilation of research by Fred Moten and Wu Tsang, who together cohabit the roles of poet and performance artist. The publication traces the development of their sculptural performance Gravitational Feel, which was yet to be realized at the time the book was due to print. This book introduces the reader to this work in its virtual state, while tracing Moten and Tsang’s lived experience of collaboration through a body of text, which is composed of email correspondence, notes, poetry, fragments of essays, and transcriptions of earlier collaborative work. Together these entwined texts create a new socio-poetic form. To quote from the book’s pages, ‘The research/experiment is in how to sense entanglement.'”

Introduction by Frédérique Bergholtz and Susan Gibb
Publisher If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Amsterdam, 2016
Performance in Residence series
ISBN 9789492139061, 9492139065
61 pages

Publisher
WorldCat

PDF (9 MB)