Pekka Himanen: The Hacker Ethic and the Spirit of the Information Age (2001) [EN, DE]

“In The Hacker Ethic, Himanen is trying to understand the core of informationalism, the post-industrialist paradigm, extending the ideas of Manuel Castells’ Information Age. As an alternative to the industrial-capitalist protestant work ethic he proposes a hacker ethic as something like a cyber communitarianism. The structure of the information society is a web, which in contemporary business world manifests itself, for instance, in dynamic outsourcing and even cooperation with one’s competitors. The “knots” of such a web get activated according to the needs and opportunities.

According to Himanen, the three main features of hacker ethic are:
* enthusiastic, passionate attitude to the work that is enjoyed
* creativity, wish to realise oneself and one’s ability, often in teams that are formed spontaneously (project orientation)
* wish to share one’s skills with a community having common goals, along with the need to acquire recognition from one’s “tribe”; one is motivated by inner zeal rather than external awards: the fruits of one’s work are donated to everybody for their advances and further developments

Manuel Castells thinks that the innovations produced by hackers are the foundations of the development of the whole culture. According to Himanen, the social hackerism begins from such things as vegetarianism, whereas the opposite of it is represented by Microsoft and the licensing of computer programs. Himanen thinks that in the information society we need a radical lack of prejudice, such as he has met in philosophy lessons to children. A critical challenge of the Internet era is the ability to meet the other human being.”

Prologue by Linus Torvalds
Epilogue by Manuel Castells
Publisher Secker & Warburg, 2001
ISBN 0436205505, 9780436205507
232 pages

Wikipedia

The Hacker Ethic and the Spirit of the Information Age (English, 2001, no OCR, updated 2016-1-16)
Die Hacker Ethik und der Geist des Informations-Zeitalters (German, trans. Heike Schlatterer, 2001, updated 2016-1-16)

Niklas Luhmann: The Reality of the Mass Media (1995/2000)

“In The Reality of the Mass Media, Luhmann extends his theory of social systems — applied in his earlier works to the economy, the political system, art, religion, the sciences, and law — to an examination of the role of mass media in the construction of social reality.

Luhmann argues that the system of mass media is a set of recursive, self-referential programs of communication, whose functions are not determined by the external values of truthfulness, objectivity, or knowledge, nor by specific social interests or political directives. Rather, he contends that the system of mass media is regulated by the internal code information/noninformation, which enables the system to select its information (news) from its own environment and to communicate this information in accordance with its own reflexive criteria.

Despite its self-referential quality, Luhmann describes the mass media as one of the key cognitive systems of modern society, by means of which society constructs the illusion of its own reality. The reality of mass media, he argues, allows societies to process information without destabilizing social roles or overburdening social actors. It forms a broad reservoir (memory) of options for the future coordination of action, and it provides parameters for the stabilization of political reproduction of society, as it produces a continuous self-description of the world around which modern society can orient itself.

In his discussion of mass media, Luhmann elaborates a theory of communication in which communication is seen not as the act of a particular consciousness, nor the medium of integrative social norms, but merely the technical codes through which systemic operations arrange and perpetuate themselves.”

First published as Die Realität der Massenmedien, Westdeutscher Verlag, 1995.

Translated by Kathleen Cross
Published by Stanford University Press, 2000
ISBN 0804740771, 9780804740777
154 pages

Key terms: mass media, second-order cybernetics, autopoiesis, Heinz von Foerster, autopoietic, Laws of Form, Elisabeth Noelle-Neumann, constructivist epistemology, Gregory Bateson, recursive, Spencer Brown, Katherine Hayles, Michel Serres, Baltasar Gracian, Amos Tversky, Hans Ulrich Gumbrecht, munication, Ludwig Tieck

Publisher

PDF (updated on 2012-7-17)

Sean Cubitt: Timeshift: On Video Culture (1991)

“The book argues that video, rather than film or television, has the potential to become a uniquely democratic medium. Through electronic recording: video rental, off-air recordings, music videos, community, campaign or artists’ videos, viewers have found a new set of cultural relations, uses and practices. Testing current semiotic, post-modernist and psychoanalytic approaches in the laboratory of real life viewing, the book presents a perceptive analysis of present day video culture.”

Key terms: video art, postmodern, timeshifting, psychoanalysis, Wapping dispute, solipsism, metaphysics of presence, Bill Viola, Nam June Paik, metonymy, atomised, television, pop video, portapaks, Electronic Arts, Chott El-Djerid, David Byrne, Lacan, diegesis, pop music

Publisher Routledge, 1991
ISBN 0415016789, 9780415016780
206 pages

Publisher

PDF (updated on 2012-7-14)