Mark B. Salter (ed.): Politics at the Airport (2008)
Filed under book | Tags: · biopolitics, politics, supermodernity, surveillance, terrorism
Establishes the airport as a crucial site in the rise of the surveillance state.
Few sites are more symbolic of both the opportunities and vulnerabilities of contemporary globalization than the international airport.
Politics at the Airport brings together leading scholars to examine how airports both shape and are shaped by current political, social, and economic conditions. Focusing on the ways that airports have become securitized, the essays address a wide range of practices and technologies—from architecture, biometric identification, and CCTV systems to “no-fly lists” and the privatization of border control—now being deployed to frame the social sorting of safe and potentially dangerous travelers.
This provocative volume broadens our understanding of the connections among power, space, bureaucracy, and migration while establishing the airport as critical to the study of politics and global life.
Contributors: Peter Adey, Colin J. Bennett, Gillian Fuller, Francisco R. Klauser, Gallya Lahav, David Lyon, Benjamin J. Muller, Valérie November, Jean Ruegg.
Publisher U of Minnesota Press, 2008
ISBN 0816650152, 9780816650156
Length 240 pages
Myung-Jin Park, James Curran (eds.): De-Westernizing Media Studies (2000)
Filed under book | Tags: · apartheid, audience, corporatism, democracy, mass media, media studies, public broadcasting, television
De-Westernizing Media Studies brings together leading media critics from around the world to address central questions in the study of the media. How do the media connect to power in society? Who and what influence the media? How is globalization changing both society and the media?
Publisher Routledge, 2000
Communication and Society series
ISBN 0415193958, 9780415193955
342 pages
Palo Fabuš: Laschova teorie narcistní kultury jako inspirace pro mediální studia (2009) [Czech]
Filed under thesis | Tags: · audience, communication, media, media studies, narcissism, postmodernity, psychoanalysis, self, survivalism, theory
Práce se pokouší představit teorii narcistní kultury amerického historika Christophera Lasche jakožto inspiraci pro mediální studia. Činí tak analýzou vybraných mediálních teorií autorů Jeana Baudrillarda, Joshuy Meyrowitze, Neila Postmana a dvojice Brian Longhurst a Nicholas Abercrombie. Malá pozornost, kterou tyto teorie venují roli mediálního publika je zde interpretována jako bílé místo, které by Laschova teorie mohla zaplnit modelem narcistní osobnostní struktury.
Lasch ve své historické studii kulturních proměn ve 20. století vychází z rozpadu rodiny způsobeného psychologizací společnosti, vlivem reklamy a nástupem byrokratického paternalismu, který nahradil původně rodičovské funkce. Rodí se tak narcistní osobnost vyznačující se vnitřním psychologickým motorem sebe-nenávist a nutkavou potrebou obklopovat se iluzemi všemohoucnosti, která se projevuje vyhledáváním spektáklu a stažením se do sebe. Inspirativnost této teorie pro mediální studia je tak představena v podobe užitečného modelu pro analýzu médií v paradigmatu aktivních publik.
Klíčová slova: narcismus, Lasch, postmodernita, média, komunikace, Já, survivalismus, psychoanalýza.
Diplomová práce
Masarykova Univerzita, Fakulta sociálních studií
Vedoucí práce: prof. PhDr. Jiří Pavelka, CSc.
Brno: FSS MU, 2009
Lasch’s narcissism culture theory as an inspiration for media studies
The thesis aims to introduce the narcissism culture theory of american historian Christopher Lasch as an inspiration for media studies. It does so by analysing selected media theories of Jean Baudrillard, Joshua Meyrowitz, Neil Postman and Brian Longhurst with Nicholas Abercrombie. Little attention these theories draw to the role of media audience is interpreted here as a gap, which could be potentially filled by Lasch’s theory with its model of narcissistic character.
In his historical study of culture changes in 20th century Lasch starts from the dissolution of family inflicted by psychologization of society, influence of advertising and emergence of bureaucratic paternalism substituting rearing function of parents. Through these processes comes birth of narcissistic personality, which can be distinguished by inner psychological drive of self-hate and compulsive need to surround him- or herself with illusion of omnipotence manifested through seeking out of spectacle and drawing within. The inspirative potential of the theory is thus introduced in a form of a useful model for a media analysis within the active audience paradigm.