Hans van Maanen: How to Study Art Worlds: On the Societal Functioning of Aesthetic Values (2009)

30 August 2010, dusan

“This study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfills in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosophical debates concerning ‘aesthetic experience’. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices.”

Publisher Amsterdam University Press, 2009
Creative Commons BY-NC 3.0 License
ISBN 9089641521, 9789089641526
311 pages

Publisher
OAPEN

PDF, PDF (2 MB, updated on 2016-7-18)

tripleC journal: Capitalist Crisis, Communication & Culture, Vol 8, No 2 (2010)

29 August 2010, dusan

The worldwide economic downturn is indicative for a new large crisis of capitalism. The future of capitalism is in this situation not determined, but depends on collective human agency. This introduction to the special issue of tripleC on “Capitalist Crisis, Communication & Culture” presents general arguments about the crisis, a general model of the political economy of capitalist communication, and a systematic typology of literature about capitalist crisis & communication. The introduced model of the political economy of capitalist communication is comprised of seven interconnected moments: 1) the media content industry, 2) the media infrastructure industry, 3) the interaction of the media economy and the non-media economy, 4) the interaction of the finance sector and the media economy, 5) alternative media, 6) media reception, 7) media prosumption. The model is used for classifying actual and potential research about the communicative dimension of the new capitalist crisis.

tripleC (cognition, communication, co-operation): Open Access Journal for a Global Sustainable Information
Society 8 (2): 193-309.
Editors: Fuchs, Christian, Matthias Schafranek, David Hakken and Marcus Breen.
Special issue on “Capitalist crisis, communication & culture“.
tripleC is a peer-reviewed, open-access journal (ISSN: 1726-670X)
All journal content, except where otherwise noted, is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Austria License.

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Mary Joyce (ed.): Digital Activism Decoded. The New Mechanics of Change (2010)

21 August 2010, dusan

The media have recently been abuzz with cases of citizens around the world using digital technologies to push for social and political change—from the use of Twitter to amplify protests in Iran and Moldova to the thousands of American nonprofits creating Facebook accounts in the hopes of luring supporters.

These stories have been published, discussed, extolled, and derided, but the underlying mechanics of the practice of digital activism are little understood. This new field, its dynamics, practices, misconceptions, and possible futures are presented together for the first time in Digital Activism Decoded.

Topics include:
* how to think about digital activism
* the digital activism environment: infrastructure, social, political, and economic factors
* digital activism practices: two research perspectives and the danger of destructive activism
* digital activism’s value: balancing optimism and pessimism
* building the future of digital activism

Publisher: International Debate Education Association, New York, June 2010
Licensed under the Creative Commons Attribution License BY-NC 3.0 US.
ISBN 978-1-932716-60-3
228 pages

Video from the book launch and discussion
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publisher
google books

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Felicity Colman (ed.): Film, Theory, and Philosophy: The Key Thinkers (2009)

16 August 2010, dusan

Thoroughly intertwined, film and philosophy have a complex relationship between thought and perception, time and memory, as well as social, political, and aesthetic experiences. Philosophy has underpinned the creation of cinema while cinema, in turn, has redefined philosophical categories, rethought sex, gender, time and space, and created new concepts that illuminate phenomenology, metaphysics, and epistemology.

An ideal introduction for students, Film, Theory and Philosophy brings together leading scholars to provide a clear, detailed overview of the key thinkers who have shaped the field of film philosophy. From continental philosophers to analytical philosophers, film-makers, film reviewers, sociologists, and cultural theorists, the essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But most importantly, the essays explore how cinema has shaped contemporary philosophy and how philosophy has led to a reappraisal of film. This collection will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by the philosophy of film.

Publisher McGill-Queen’s University Press, 2009
ISBN 0773537007, 9780773537002
404 pages

publisher
google books

PDF (updated on 2012-7-14)

David Campany: Photography and Cinema (2008)

16 August 2010, dusan

What did the arrival of cinema do for photography? How did the moving image change our relation to the still image? Why have cinema and photography been so drawn to each other? Close-ups, freeze frames and the countless portrayals of photographers on screen are signs of cinema’s enduring attraction to the still image. Photo-stories, sequences and staged tableaux speak of the deep influence of cinema on photography.

Photography and Cinema a considers the importance of the still image for filmmakers such as the Lumière brothers, Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, Chris Marker, Mark Lewis, Agnès Varda, Peter Weir, Christopher Nolan and many others. In parallel it looks at the cinematic in the work of photographers and artists that include Germaine Krull, William Klein, John Baldessari, Jeff Wall, Victor Burgin and Cindy Sherman.

From film stills and flipbooks to slide shows and digital imaging, hybrid visual forms have established an ambiguous realm between motion and stillness. David Campany assembles a missing history in which photography and cinema have been each other’s muse and inspiration for over a century.

Publisher Reaktion Books, 2008
Exposures (London)
ISBN 1861893515, 9781861893512
160 pages

publisher
google books

PDF (updated on 2012-7-15)

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