Justin E. H. Smith: Divine Machines: Leibniz and the Sciences of Life (2011)

Though it did not yet exist as a discrete field of scientific inquiry, biology was at the heart of many of the most important debates in seventeenth-century philosophy. Nowhere is this more apparent than in the work of G. W. Leibniz. In Divine Machines, Justin Smith offers the first in-depth examination of Leibniz’s deep and complex engagement with the empirical life sciences of his day, in areas as diverse as medicine, physiology, taxonomy, generation theory, and paleontology. He shows how these wide-ranging pursuits were not only central to Leibniz’s philosophical interests, but often provided the insights that led to some of his best-known philosophical doctrines.

Presenting the clearest picture yet of the scope of Leibniz’s theoretical interest in the life sciences, Divine Machines takes seriously the philosopher’s own repeated claims that the world must be understood in fundamentally biological terms. Here Smith reveals a thinker who was immersed in the sciences of life, and looked to the living world for answers to vexing metaphysical problems. He casts Leibniz’s philosophy in an entirely new light, demonstrating how it radically departed from the prevailing models of mechanical philosophy and had an enduring influence on the history and development of the life sciences. Along the way, Smith provides a fascinating glimpse into early modern debates about the nature and origins of organic life, and into how philosophers such as Leibniz engaged with the scientific dilemmas of their era.

Publisher Princeton University Press, 2011
ISBN 0691141789, 9780691141787
392 pages

publisher
google books

PDF (updated on 2012-8-1)

Anna Everett, John Thornton Caldwell (eds.): New Media: Theories and Practices of Digitextuality (2003)

The mushroom-like growth of new media technologies is radically challenging traditional media outlets. The proliferation of technologies like DVDs, MP3s and the Internet has freed the public from what we used to understand as “mass media.” In the face of such seismic shifts and ruptures, the theoretical and pedagogical foundations of film and TV studies are being shaken to their core. New Media demands a necessary rethinking of the field. Writing from a range of disciplines and perspectives, the scholars here outline new theses and conceptual frameworks capable of engaging the numerous facets of emergent digital technology.

Publisher Routledge, 2003
AFI Film Readers series
ISBN 041593995X, 9780415939959
274 pages

publisher
google books

PDF (updated on 2012-7-31)

Blast: Review of the Great English Vortex, 1-2 (1914-1915)

Issue 1, 20 June 1914

Issue 2, July 1915

“Blast was a modernist magazine founded by Wyndham Lewis with the assistance of Ezra Pound. It ran for just two issues, published in 1914 and 1915. The First World War killed it—along with some of its key contributors. Blast’s purpose was to promote a new movement in literature and visual art, christened “Vorticism” by Pound and Lewis. Unlike its immediate predecessors and rivals, Vorticism was English, rather than French or Italian, but its dogmas emerged from Imagism in literature and Cubism plus Futurism in the visual arts. The first issue of Blast includes artwork by Lewis, Gaudier-Brzeska, and others, along with a manifesto for Vorticism and lists of blasts, blesses, and curses of a whole range of people, concepts, and movements. It also includes a play by Lewis and fiction by Ford Madox Hueffer and Rebecca West. The second issue includes a notice of Gaudier-Brzeska’s death in France. Despite its short life, Blast was a powerful influence in the shaping and promoting of modernism.” (Source)

Edited by Wyndham Lewis
Publisher John Lane, the Bodley Head, London
via Modernist Journals Project

Issue 1
Issue 2