Berin Szoka, Adam Marcus (eds.): The Next Digital Decade: Essays on the Future of the Internet (2010)

20 February 2012, dusan

This unique book brings together 26 thought leaders on Internet law, philosophy, policy and economics to consider, from a wide variety of perspectives, what the next digital decade might bring for the Internet. This book is essential reading for anyone gazing toward the digital future.

The book’s 31 essays address questions such as: Has the Internet been good for our culture? Is the Internet at risk from the drive to build more secure, but less “open” systems and devices? Is the Internet really so “exceptional?” Has it fundamentally changed economics? Who—and what ideas—will govern the Net in 2020? Should online intermediaries like access providers, hosting providers, search engines and social networks do more to “police” their networks, increase transparency, or operate “neutrally?” What future is there for privacy online? Can online free speech be regulated? Can it really unseat tyrants?

With contributions by Robert D. Atkinson, Stewart Baker, Ann Bartow, Yochai Benkler, Larry Downes, Josh Goldfoot, Eric Goldman, James Grimmelmann, H. Brian Holland, David R. Johnson, Andrew Keen, Hon. Alex Kozinski, Mark MacCarthy, Geoffrey Manne, Evgeny Morozov, Milton Mueller, John Palfrey, Frank Pasquale, Berin Szoka, Paul Szynol, Adam Thierer, Hal Varian, Christopher Wolf, Tim Wu, Michael Zimmer, Jonathan Zittrain, Ethan Zuckerman.

Publisher TechFreedom, Washington DC, 2010
ISBN 1435767861, 9781435767867
Creative Commons BY-NC-SA 3.0 Unported License
575 pages

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N. Katherine Hayles: Electronic Literature: New Horizons for the Literary (2008)

20 February 2012, dusan

“A visible presence for some two decades, electronic literature has already produced many works that deserve the rigorous scrutiny critics have long practiced with print literature. Only now, however, with Electronic Literature by N. Katherine Hayles, do we have the first systematic survey of the field and an analysis of its importance, breadth, and wide-ranging implications for literary study.

Hayles’s book is designed to help electronic literature move into the classroom. Her systematic survey of the field addresses its major genres, the challenges it poses to traditional literary theory, and the complex and compelling issues at stake. She develops a theoretical framework for understanding how electronic literature both draws on the print tradition and requires new reading and interpretive strategies. Grounding her approach in the evolutionary dynamic between humans and technology, Hayles argues that neither the body nor the machine should be given absolute theoretical priority. Rather, she focuses on the interconnections between embodied writers and users and the intelligent machines that perform electronic texts.

Through close readings of important works, Hayles demonstrates that a new mode of narration is emerging that differs significantly from previous models. Key to her argument is the observation that almost all contemporary literature has its genesis as electronic files, so that print becomes a specific mode for electronic text rather than an entirely different medium. Hayles illustrates the implications of this condition with three contemporary novels that bear the mark of the digital.”

Publisher University of Notre Dame, 2008
Ward-Phillips lectures in English language and literature
ISBN 0268030855, 9780268030858
223 pages

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PDF, PDF (added on 2012-2-21, thanks Emika!; updated on 2019-6-30)

Lars Nyre: Sound Media: From Live Journalism to Music Recording (2008)

19 February 2012, dusan

Sound Media considers how music recording, radio broadcasting and muzak influence people’s daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre starts with the contemporary cultures of sound media, and works back to the archaic soundscapes of the 1870s.

The first part of the book devotes five chapters to contemporary digital media, and presents the internet, the personal computer, digital radio (news and talk) and various types of loudspeaker media (muzak, DJ-ing, clubbing and PA systems). The second part examines the historical accumulation of techniques and sounds in sound media, and presents multitrack music in the 1960s, the golden age of radio in the 1950s and back to the 1930s, microphone recording of music in the 1930s, the experimental phase of wireless radio in the 1910s and 1900s, and the invention of the gramophone and phonograph in the late nineteenth century.

Sound Media includes a soundtrack CD with thirty-six examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sarah Cox, and is richly illustrated with figures, timelines and technical drawings.

Publisher Routledge, an imprint of Taylor & Francis, 2008
ISBN 041539113X, 9780415391139
221 pages

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