Adrien Lucca: Light Transformer Prototype, v. 1–2 (2010–12) [French/English]

30 September 2013, dusan

“Le présent travail est le fruit d’une recherche qui s’étendit sur plus d’un an, et que cette première publication n’épuise pas. [..] J’ai voulu offrir à son lecteur ou à sa lectrice une véritable expérience de lecture – au sens peut-être le plus conservateur du terme – doublée d’une expérience visuelle et tactile de première main. Je prétends ainsi leur communiquer une synthèse d’observations et de pensées privées, personnelles. Cet essai pourra par conséquent contenir des erreurs ou des naïvetés qui m’auront échappées. Avant tout, j’espère y avoir trouvé un point d’équilibre entre contenus vusuels, textuels et stylistiques.” (extrait de l’avant-propos)

Interview with the author, with a Foreword by Haseeb Ahmed (in English/French)

Prototype de transformateur de lumière: Essai & documents, version 1 (in French, 32 pp, 2010, PDF)
Light Transformer Prototype (picture documentation, blog post, in English, 2012)

Bernadette Corporation: Reena Spaulings (2005)

30 September 2013, dusan

“Set in post-9/11 New York City, Reena Spaulings was written by a large collective of writers and artists that bills itself as The Bernadette Corporation. Like most contemporary fiction, Reena Spaulings is about a female twenty-something. Reena is discovered while working as a museum guard and becomes a rich international supermodel. Meanwhile, a bout of terrible weather seizes New York, leaving in its wake a strange form of civil disobedience that stirs its citizens to mount a musical song-and-dance riot called “Battle on Broadway.” Fashioned in the old Hollywood manner by a legion of professional and amateur writers striving to achieve the ultimate blockbuster, the musical ends up being about a nobody who could be anybody becoming a somebody for everybody. The result is generic and perfect—not unlike Reena Spaulings itself, whose many authors create a story in which New York itself strives to become the ultimate collective experiment in which the only thing shared is the lack of uniqueness.”

Publisher Semiotext(e), 2005
Native Agents series
ISBN 158435030X, 9781584350309
216 pages

Reviews: McKenzie Wark (Nettime), Christopher Bollen (Artforum)
Commentary: Emily Pethick (Frieze), Janet Sarbanes (Afterall), Bennett Simpson (Artforum)


PDF (52 MB, updated on 2016-12-23)

Alain Badiou: Cinema (2010/2013)

30 September 2013, dusan

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou’s account of cinema.

He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value of human existence and human freedom. Through the experience of viewing, the movement of thought that constitutes the film is passed on to the viewer, who thereby encounters an aspect of the world and its exaltation and vitality as well as its difficulty and complexity. Cinema is an impure art cannibalizing its times, the other arts, and people – a major art precisely because it is the locus of the indiscernibility between art and non-art. It is this, argues Badiou, that makes cinema the social and political art par excellence, the best indicator of our civilization, in the way that Greek tragedy, the coming-of-age novel and the operetta were in their respective eras.

First published in French as Cinéma, Nova Editions, 2010
Texts selected and introduced by Antoine de Baecque
Translated by Susan Spitzer
Publisher Polity, 2013
ISBN 10074565567X, 9780745655673
269 pages



Egle Rindzevičiūtė: Constructing Soviet Cultural Policy: Cybernetics and Governance in Lithuania after World War II (2008)

29 September 2013, dusan

After World War I, the Soviet Union was one of the first modern states to engage explicitly in the governance of culture, which was formalised and institutionalised as state cultural policy. In this process of governance, sciences and technologies provided the state with conceptual and material resources, which were used to define both the process and the object of governance. After World War II, scientific and technological progress gave birth to a new science of control and communication, Norbert Wiener’s cybernetics, which was widely used not only in engineering, but also in the conceptualisation of humans, machines and societies. This thesis explores how cybernetics influenced the construction of cultural policy in the Soviet Union. It focuses particularly on the Soviet republic of Lithuania. The main argument is that since the 1950s a particularly powerful discourse of cybernetic governance was formed in the Soviet Union. A result of translation from techno-science, this discourse not only served the purposes of authoritarian rule, but was also used as a resource by cultural operators to criticise the Soviet government itself. By analysing organisational practices and official and public discourses, the study reveals the complexity of the relationship between governance, culture and sciences and technologies.

Doctoral thesis
Faculty of Arts and Sciences, Linköping University, 2008
274 pages



Peter Romijn, Giles Scott-Smith, Joes Segal (eds.): Divided Dreamworlds? The Cultural Cold War in East and West (2012)

28 September 2013, dusan

“While the divide between capitalism and communism, embodied in the image of the Iron Curtain, seemed to be as wide and definitive as any cultural rift, Giles Scott-Smith, Joes Segal, and Peter Romijn have compiled a selection of essays on how culture contributed to the blurring of ideological boundaries between the East and the West. This important and diverse volume presents fascinating insights into the tensions, rivalries, and occasional cooperation between the two blocs, with essays that represent the cutting edge of Cold War Studies and analyze aesthetic preferences and cultural phenomena as various as interior design in East and West Germany; the Soviet stance on genetics; US cultural diplomacy during and after the Cold War; and the role of popular music as the universal cultural ambassador. An illuminating and wide-ranging survey of interrelated collective dreams from both sides of the Iron Curtain, Divided Dreamworlds? has a place on the bookshelf of any modern historian.”

Publisher Amsterdam University Press, 2012
Studies of the Netherlands Institute for War Documentation series, 5
Creative Commons BY-NC-ND 3.0 License
ISBN 9089644369, 9789089644367
248 pages



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