Computational Culture, a Journal of Software Studies, Issue Three (2013)

This issue of the journal treats “the database [as] one of the crucial social technologies of our time. As such, it is in urgent need of technically informed critical analysis, the kind of analysis that has tended to be demoted in favour, for instance, of the more semiotically amenable exploration of the more obviously cultural widgets and interfaces of the front end of Web 2.0 technologies. Yet the history of the development of the database casts an interesting light on otherwise frequently algorithm-centric eulogies to the development of computing.” (from the Editorial)

With contributions by Michael Castelle, Evelyn Ruppert, Anne Helmond, Taina Bucher; reviews by Thor Magnusson, Harry Halpin, Håkan Råberg, Alan F. Blackwell, and Lone Koefoed Hansen.

Editorial group: Matthew Fuller, Andrew Goffey, Olga Goriunova, Graham Harwood, Adrian Mackenzie
Published in November 2013
Open access
ISSN 2047-2390

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Isaiah Berlin: Against the Current: Essays in the History of Ideas (1980)

“In this outstanding collection of essays, Isaiah Berlin, one of the great thinkers of the twentieth century, discusses the importance of dissenters in the history of ideas–among them Machiavelli, Giambattista Vico, Montesquieu, Alexander Herzen, Georges Sorel, Verdi, and Moses Hess. With his unusual powers of imaginative re-creation, Berlin brings to life original minds that swam against the current of their times.”

Edited and with a Bibliography by Henry Hardy
With an Introduction by Roger Hausheer
Publisher The Viking Press, New York, 1980
ISBN 0670109444
394 pages

Reviews: Mark Lilla (New York Review of Books), James G. Hanink.

Wikipedia

PDF (50 MB, updated on 2016-12-23)

Wolfgang Ernst: Digital Memory and the Archive (2012)

“In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites.

In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist’s work, brings together essays that present Ernst’s controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society.

Ernst’s interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history. ”

Edited and with an Introduction by Jussi Parikka
Publisher University of Minnesota Press, 2012
Volume 39 of Electronic Mediations
ISBN 0816677670, 9780816677672
265 pages

Reviews: Liam Cole Young (Reviews in Cultural Theory, 2013), Peter Ward (Information & Culture, 2014).

Worldcat

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For more from Wolfgang Ernst see Monoskop wiki.