Lewis Mumford: Art and Technics (1952–) [English, Greek]

Lewis Mumford — architectural critic, theorist of technology, urbanist, cultural critic, historian, biographer, and philosopher — was the author of almost thirty books, many of which expounded his views on the perils of urban sprawl and a society obsessed with “technics.”

In these lectures delivered at Columbia University in 1951, Mumford explores “the ethical problems that drove all of his writings on art, technology and urbanism: the severing of the bonds of fellowship and community in advanced industrial society; the waning sense of a public good and the resulting moral crisis of modern life; the cultural divide separating an instrumental language of technique from the symbolic language of aesthetic experience; and the plight of ‘personality’ in a bureaucratic age.” (from the introduction to the 2000 edition)

Publisher Columbia University Press, New York, 1952
Bampton Lectures in America, 4
162 pages

Review (R. L. A., Philosophy of Science, 1953)

Publisher

Art and Technics (English, 1952, removed on 2019-10-3 upon request from publisher)
Τέχνη και τεχνική (Greek, trans. Βασίλης Τομανάς, 1997)

Technologies of the Self: A Seminar with Michel Foucault (1988)

A collection of essays based on a faculty seminar conducted and organised by the University of Vermont in the autumn of 1982. Contains an interview with Foucault made in October 1982, his six seminar presentations, a public lecture entitled “The Political Technology of Individuals”, and five presentations by members of the seminar.

Foucault’s presentations provide a concise overview of the conceptual and methodological shift that guided his “turn to the Greeks” in The History of Sexuality and his later seminars.

Edited by Luther H. Martin, Huck Gutman, Patrick H. Hutton
Publisher University of Massachusetts Press, 1988
ISBN 0870235931, 9780870235931
166 pages

Review (Montanus C. Milanzi, Systems Research and Behavioral Science, 2001)

PDF

Jules-François Dupuis (Raoul Vaneigem): A Cavalier History of Surrealism (1977–) [DE, EN, RU]

“A down-and-dirty survey of the Surrealist movement written under a pseudonym in 1970 by leading Situationist theorist Raoul Vaneigem.

Intended for a high school readership, and dashed off in two weeks, Vaneigem’s sketch bars no holds: disrespectful in the extreme, blistering on Surrealism’s artistic and political aporias, and packed with telling quotations, it also gives respect where respect is due.

Locating Surrealism’s “original sin” in its ideological nature, Vaneigem clearly identifies the “radioactive fragment of radicalism” that the movement never managed completely to shed. If you want an unequivocal answer to the question—”What was living and what was dead in Surrealism?”—look no further.

And for readers interested in the Situationists, this short book sheds a great deal of light on their attitudes, negative and positive, towards their Surrealist predecessors.”

First published in French as Histoire désinvolte du surréalisme, Paul Vermont, Nonville, 1977.

English edition
Translated by Donald Nicholson-Smith
Publisher AK Press, 1999
ISBN 1873176945, 9781873176948
131 pages
via ZineLibrary.info, HT esco_bar

Review: Frédéric Thomas (Dissidences, 2013, FR)

Publisher (EN)
Publisher (FR, 2013)
Publisher (RU, 2014)

German: PDF (trans. Pierre Gallissaires and Hanna Mittelstädt, 1979, 160 MB, added on 2020-8-28)
English: PDF, HTML, PDF (trans. Donald Nicholson-Smith, 1999)
Russian: PDF (trans. Maria Lepilova, 2014, added on 2020-8-28)