Victor Coelho (ed.): Music and Science in the Age of Galileo (1992)

“Music and Science in the Age of Galileo features twelve essays by leading specialists in the fields of musicology, history of science, astronomy, philosophy, and instrument building that explore the relations between music and the scientific culture of Galileo’s time. The essays take a broad historical approach towards understanding such topics as the role of music in Galileo’s experiments and in the scientific revolution, the musical formation of scientists, Galileo’s impact on the art and music of his time, the scientific knowledge of instrument builders, and the scientific experiments and cultural context of Galileo’s father, Vincenzo Galilei. This volume opens up new areas in both musicology and the history of science, and twists together various strands of parallel work by musicians and scientists on Galileo and his time.”

Publisher Kluwer, Dordrecht, 1992
Reprinted by Springer, 1992
The Western Ontario Series in Philosophy of Science series, Volume 51
ISBN 9789048142187
247 pages

Review (Rhonda Martens, Journal for the History of Astronomy, 1997)

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Alberto de Campo: Science by Ear: An Interdisciplinary Approach to Sonifying Scientific Data (2009)

Sonification of Scientific Data is intrinsically interdisciplinary: It requires collaboration between experts in the respective scientific domains, in psychoacoustics, in artistic design of synthetic sound, and in working with appropriate programming environments. The SonEnvir project hosted at IEM Graz put this view into practice: in four domain sciences, sonification designs for current research questions were realised.

This dissertation contributes to sonification research in three aspects:

The body of sonification designs realised within the SonEnvir context is described, which may be reused in sonification research in different ways.

The software framework built with and for these sonification designs is presented, which supports fluid experimentation with evolving sonification designs.

A theoretical model for sonification design work, the Sonification Design Space Map, was synthesised based the analysis of this body of sonification designs (and a few selected others). This model allows systematic reasoning about the process of creating sonification designs, and provides concepts for analysing and categorising existing sonifications designs more systematically.

Dissertation
Institute of Electronic Music and Acoustics – IEM, University for Music and Dramatic Arts Graz, February 2009
Supervisors: Robert Höldrich, Curtis Roads
211 pages

SonEnvir research project

PDF
View online (on Scribd.com, from the author)

Speculations V: Aesthetics in the 21st Century (2014)

“Ever since the turn of the century aesthetics has steadily gained momentum as a central field of study across the disciplines. No longer sidelined, aesthetics has grown in confidence. While this recent development brings with it a return to the work of the canonical authors (most notably Baumgarten and Kant), some contemporary scholars reject the traditional focus on epistemology and theorize aesthetics in its ontological connotations. It is according to this shift that speculative realists have proclaimed aesthetics as “first philosophy” and as speculative in nature. With speculative realism aesthetics no longer necessarily implies human agents. This is in alignment with the general speculative realist framework for thinking all kinds of processes, entities, and objects as free from our allpervasive anthropocentrism which states, always, that everything is “for us.”

This special issue of Speculations: A Journal of Speculative Realism explores the ramifications of what could be termed the new speculative aesthetics. In doing so, it stages a three-fold encounter: between aesthetics and speculation, between speculative realism and its (possible) precursors, and between speculative realism and art and literature.”

With contributions by Steven Shaviro, Theodor Leiber and Kirsten Voigt Sellars, Matija Jelača, Claire Colebrook, N. Katherine Hayles, Jon Cogburn and Mark Allan Ohm, Miguel Penas López, Graham Harman, Bettina Funcke, Thomas Gokey, Robert Jackson, Roberto Simanowski, Francis Halsall, Magdalena Wisniowska Disegno, and Sjoerd van Tuinen.

Edited by Ridvan Askin, Paul J Ennis, Andreas Hägler, and Philip Schweighauser
Publisher punctum books, Brooklyn, NY, May 2014
Creative Commons License BY-NC-SA
ISBN 0692203168, 9780692203163
ISSN 2327-803X
474 pages

PDF (single PDF, 9 MB, updated on 2016-12-24)
PDFs (individual essays, updated on 2016-12-24)