Lisa Gitelman: Paper Knowledge: Toward a Media History of Documents (2014)

“Paper Knowledge is a book about the mundane: the library card, the promissory note, the movie ticket, the PDF (Portable Document Format). It is a media history of the document. Drawing examples from the 1870s, the 1930s, the 1960s, and today, Lisa Gitelman thinks across the media that the document form has come to inhabit over the last 150 years, including letterpress printing, typing and carbon paper, mimeograph, microfilm, offset printing, photocopying, and scanning. Whether examining late nineteenth century commercial, or ‘job’ printing, or the Xerox machine and the role of reproduction in our understanding of the document, Gitelman reveals a keen eye for vernacular uses of technology. She tells nuanced, anecdote-filled stories of the waning of old technologies and the emergence of new. Along the way, she discusses documentary matters such as the relation between twentieth-century technological innovation and the management of paper, and the interdependence of computer programming and documentation. Paper Knowledge is destined to set a new agenda for media studies.”

Publisher Duke University Press, 2014
Sign, Storage, Transmission series
ISBN 0822376768, 9780822376767
210 pages

Interview with the author: Trevor Owens (2014).
Reviews: Jan Baetens (Leonardo, 2014), Alexander von Lünen (2014), Hope Leman (2014), Colin Higgins (Times Higher Education, 2014).

Author
Publisher

PDF (updated on 2021-4-9)

Dariusz Jemielniak: Common Knowledge? An Ethnography of Wikipedia (2013/2014) [Polish, English]

“With an emphasis on peer–produced content and collaboration, Wikipedia exemplifies a departure from traditional management and organizational models. This iconic “project” has been variously characterized as a hive mind and an information revolution, attracting millions of new users even as it has been denigrated as anarchic and plagued by misinformation. Has Wikipedia’s structure and inner workings promoted its astonishing growth and enduring public relevance?

In Common Knowledge?, Dariusz Jemielniak draws on his academic expertise and years of active participation within the Wikipedia community to take readers inside the site, illuminating how it functions and deconstructing its distinctive organization. Against a backdrop of misconceptions about its governance, authenticity, and accessibility, Jemielniak delivers the first ethnography of Wikipedia, revealing that it is not entirely at the mercy of the public: instead, it balances open access and power with a unique bureaucracy that takes a page from traditional organizational forms. Along the way, Jemielniak incorporates fascinating cases that highlight the tug of war among the participants as they forge ahead in this pioneering environment.”

Polish edition
Publisher Poltext, Warsaw, 2013
ISBN 9788375612851
376 pages

English edition
Publisher Stanford University Press, 2014
ISBN 0804789444, 9780804789448
312 pages

Review (Piotr Konieczny, The Signpost, 2014)
Review (Forbes, George Anders, 2014)

Publisher (PL)
Publisher (EN)

Życie wirtualnych dzikich: netnografia Wikipedii (Polish, trans. Wojciech Pedzich, 2013)
Common Knowledge? An Ethnography of Wikipedia (English, 2014)

Vítězslav Nezval: Abeceda (1926)

“In Nezval’s Abeceda, a cycle of rhymes based on the shapes of letters, I tried to create a ‘typofoto’ of a purely abstract and poetic nature, setting into graphic poetry what Nezval set into verbal poetry in his verse, both being poems evoking the magic signs of the alphabet.” – Karel Teige

The 1926 book Abeceda [Alphabet] is a landmark work of the artists’ collective Devětsil, active in Prague and Brno in the 1920s.

“The composition of Abeceda took place in three stages. Vítězslav Nezval wrote the poem in 1922 along the line of the grade-school syllabary, matching each letter of the alphabet with a single rhyming quatrain. Nearly every verse takes its lead from the visual aspect of its letter and proceeds as a sequence of fanciful associations: “A / let us call you a simple hut / Transport your tropics to the Moldau, o palms / A snail has its simple home with feelers sticking up / while people don’t know where to lay their heads.” For a celebratory Nezval evening in 1926 at the Liberated Theater in Prague, Milča Mayerová contributed a choreographed alphabet that complemented each quatrain with a sequence of poses. The composition concluded with Karel Teige’s addition of photo-montages that join photographs of Mayerová’s embodied alphabet with his own geometric letterforms.

Nezval’s verses follow from his conviction that poetry, as a game of language played at the level of its rudiments, provided a means of transforming the world directly. The photos of Mayerová illustrate in concrete terms this intimacy between language and reality; the poses have her almost trying the alphabet on for size. Teige’s photomontages organize that alphabetized figure with geometric letters according to the structure of the grid, which the artist regarded as an emblem of rational order. In setting Mayerová’s figure in gridded relation to the alphabet, Teige seemed to be insisting that readers consider the realities of life in relation to letters whose shapes they not only determine, but that in turn determine them.” (Source)

Abeceda. Taneční komposice Milči Mayerové
Publisher J. Otto, Prague, 1926
Illustrated with 25 black and white photomontages
57 pages
via V&A

Video adaptation (8 min, 2000, made at the Wolfsonian-FIU, Miami)

PDF (with Nezval’s poems in Czech, low resolution)
PDF (images only, low resolution)