Félicia / par elle-même. Hommage et depassement de Debord (1976) [FR]

27 April 2016, dusan

Anonymous pamphlet outlining an aesthetic informed by Situationism.

Publisher Présence anonyme, Paris, 1976
27 pages
via Antoine Lefebvre Editions

PDF (8 MB)

Edgard Braga: Tatuagens. Poemas (1976) [BR-PT]

27 April 2016, dusan

A collection of 16 works by the Brazilian concrete poet from 1964-71, published in the series edited by Augusto de Campos, Julio Plaza, and Régis Bonvicino.

Publisher Edições Invenção, São Paulo, 1976
16 pages
via Amir Brito

Commentary: Silvio Ferraz (2007, BR-PT), Beatriz Helena Ramos Amaral (2013, BR-PT).

PDF (12 MB)

Michael Snow: The Collected Writings of Michael Snow (1994)

24 April 2016, dusan

“Writing, for Michael Snow, is as much a form of “art-making” as the broad range of visual art activities for which he is renowned, including the “Walking Woman” series and the film Wavelength. Conversely, many of the texts included in this anthology are as significant visually as they are at the level of content — they are meant to be looked at as well as read. Situated somewhere between a repository of contemporary thought by one of our leading Canadian artists and a history book as it brings to light some important moments in the cultural life of Canada since the 1950s, these texts tell their own story, marking the passage of time, ideas and attitudes.

The works included here, ranging from essays and interviews and record album cover notes to filmscripts and speeches (which, in Snow’s hands, often fall into the category of performance art), are not only “built for browsing,” they offer insights into both the professional and the private Snow. Together, they expand the context of Snow’s work and show the evolution of a great Canadian artist, beginning with his early attempts at defining art, to his emergence and recognition on the international art scene.

This book is one of four books that are part of the Michael Snow Project. Initiated by the Art Gallery of Ontario and The Power Plant Gallery, the project also includes four exhibitions of his visual art and music.”

Included texts: The Real “New Jazz,” 1950; Poem, 1957; Something You Might Try, 1958; Title or Heading, 1961; A Lot of Near Mrs., 1962-63; Around about New York Eye and Ear Control, 1966; Statements/18 Canadian Artists, 1967; First to Last, 1967; Crafts, 1967; On Wavelength, 1968; Abitibi, 1969; Tap, 1969; Ten Questions to Michael Snow, 1969; La Région Centrale, 1969; Converging on La Région Centrale: Michael Snow in Conversation with Charlotte Townsend, 1971; Michael Snow: A Filmography by Max Knowles, 1971; Passage (Dairy), 1971.

With a Foreword by Louise Dompierre
Publisher Wilfrid Laurier University Press, Waterloo, Ontario, 1994
ISBN 0889202435, 9780889202436
viii+295 pages
via KD

Publisher
WorldCat

PDF (29 MB)
ARG