Series of Monographs on Cinema, 10 vols. (1931–33) [NL]
Filed under book | Tags: · abstract cinema, avant-garde, cinema, experimental film, film, film history, film sound, film theory, graphic design, montage, silent cinema
This set of monographs on early twentieth-century film is as important for the discourses on cinema, as it is for the graphic design.
Each volume has a cover created by the Dutch “typotekt” Piet Zwart, who had multiple careers as an interior designer, industrial design, commercial typographer, photographer, critic and lecturer. At the close of the twentieth century, Zwart was named ‘Designer of the Century’ by the Association of Dutch Designers.
Originally planned in twelve volumes, the last two in the series were not published: De techniek van de kunstfilm by M.T.H. Franken and Joris Ivens and Filmreclame by Piet Zwart.
Film: die serie monografieën over filmkunst
Series edited by C.J. Graadt van Roggen
Cover design Piet Zwart
Publisher W.L. & J. Brusse’s Uitgeversmaatschappij, Rotterdam, 1931-33
via Bibliothèque Kandinsky
Wikipedia (NL)
1 Het linnen venster, by C.J. Graadt van Roggen (1931, 72 pp, 71 MB)
2 Dertig jaar film [Thirty Years of Film], by L.J. Jordan (1932, 79 pp, 73 MB)
3 Nederlandsche filmkunst, by Henrik Scholte (1933, 64 pp, 63 MB)
4 Russische filmkunst, by Th. B.F. Hoyer (1932, 84 pp, 85 MB)
5 Duitsche filmkunst [German Cinema], by Simon Koster (1931, 75 pp, 71 MB)
6 Fransche filmkunst, by Elisabeth de Roos (1931, 59 pp, 61 MB)
7 Amerikaansche filmkunst, by Jo Otten (1931, 70 pp, 71 MB)
8 De absolute film, by Menno ter Braak (1931, 50 pp, 50 MB), HTML (at DBNL)
9 De komische film, by Constant van Wessem (1931, 56 pp, 49 MB)
10 De geluidsfilm [Sound Film], by Lou Lichtveld (1933, 79 pp, 76 MB), HTML (at DBNL)
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