John Mullarkey: Post-Continental Philosophy: An Outline (2006)

Post-Continental Philosophy outlines the shift in Continental thought over the last 20 years through the work of four central figures: Gilles Deleuze, Alain Badiou, Michel Henry, and François Laruelle. Though they follow seemingly different methodologies and agendas, each insists on the need for a return to the category of immanence if philosophy is to have any future at all. Rejecting both the German phenomenological tradition of transcendence (of the Ego, Being, Consciousness, Alterity, or Flesh), as well as the French Structuralist valorisation of Language, they instead take the immanent categories of biology (Deleuze), mathematics (Badiou), affectivity (Henry), and axiomatic science (Laruelle) as focal points for a renewal of thought. Consequently, Continental philosophy is taken in a new direction that engages science and nature with a refreshingly critical and non-reductive approach to life, set-theory, embodiment, and knowledge. However, each of these new philosophies of immanence still regards what the other is doing as transcendent representation, raising the question of what this return to immanence really means. John Mullarkey’s analysis provides a startling answer. By teasing out their internal differences, he discovers that the only thing that can be said of immanence without falling back into transcendent representation seems not to be a saying at all but a ‘showing’, a depiction through lines. Because each of these philosophies also places a special value on the diagram, the common ground of immanence is that occupied by the philosophical diagram rather than the word. The heavily illustrated final chapter of the book literally outlines how a mode of philosophical discourse might proceed when using diagrams to think immanence.

Publisher Continuum International Publishing Group, 2006
Transversals: New Directions in Philosophy series
ISBN 0826464610, 9780826464613
260 pages

publisher
google books

PDF (updated on 2012-9-6)

Barbara van Schewick: Internet Architecture and Innovation (2010)

The Internet’s remarkable growth has been fueled by innovation. New applications continually enable new ways of using the Internet, and new physical networking technologies increase the range of networks over which the Internet can run. Questions about the relationship between innovation and the Internet’s architecture have shaped the debates over open access to broadband networks, network neutrality, nondiscriminatory network management, and future Internet architecture. In Internet Architecture and Innovation, Barbara van Schewick explores the economic consequences of Internet architecture, offering a detailed analysis of how it affects the economic environment for innovation.

Van Schewick describes the design principles on which the Internet’s original architecture was based—modularity, layering, and the end-to-end arguments—and shows how they shaped the original architecture. She analyzes in detail how the original architecture affected innovation—in particular, the development of new applications—and how changing the architecture would affect this kind of innovation.

Van Schewick concludes that the original architecture of the Internet fostered application innovation. Current changes that deviate from the Internet’s original design principles reduce the amount and quality of application innovation, limit users’ ability to use the Internet as they see fit, and threaten the Internet’s ability to realize its economic, social, cultural, and political potential. If left to themselves, network providers will continue to change the internal structure of the Internet in ways that are good for them but not necessarily for the rest of us. Government intervention may be needed to save the social benefits associated with the Internet’s original design principles.

Publisher MIT Press, 2010
ISBN 0262013975, 9780262013970
560 pages

publisher
google books

PDF

David Thorburn, Henry Jenkins (eds.): Rethinking Media Change: The Aesthetics of Transition (2004)

The essays in Rethinking Media Change center on a variety of media forms at moments of disruption and cultural transformation. The editors’ introduction sketches an aesthetics of media transition—patterns of development and social dispersion that operate across eras, media forms, and cultures. The book includes case studies of such earlier media as the book, the phonograph, early cinema, and television. It also examines contemporary digital forms, exploring their promise and strangeness. A final section probes aspects of visual culture in such environments as the evolving museum, movie spectaculars, and “the virtual window.”

The contributors reject apocalyptic scenarios of media revolution, demonstrating instead that media transition is always a mix of tradition and innovation, an accretive process in which emerging and established systems interact, shift, and collude with one another.

Publisher MIT Press, 2004
Media in Transition series
ISBN 0262701073, 9780262701075
416 pages

publisher
google books

PDF (updated on 2012-7-15)