Niklas Luhmann: Art as a Social System (1995/2000)

This is the definitive analysis of art as a social and perceptual system by Germany’s leading social theorist of the late twentieth century. It not only represents an important intellectual step in discussions of art—in its rigor and in its having refreshingly set itself the task of creating a set of distinctions for determining what counts as art that could be valid for those creating as well as those receiving art works—but it also represents an important advance in systems theory.

Returning to the eighteenth-century notion of aesthetics as pertaining to the “knowledge of the senses,” Luhmann begins with the idea that all art, including literature, is rooted in perception. He insists on the radical incommensurability between psychic systems (perception) and social systems (communication). Art is a special kind of communication that uses perceptions instead of language. It operates at the boundary between the social system and consciousness in ways that profoundly irritate communication while remaining strictly internal to the social.

In seven densely argued chapters, Luhmann develops this basic premise in great historical and empirical detail. Framed by the general problem of art’s status as a social system, each chapter elaborates, in both its synchronic and diachronic dimensions, a particular aspect of this problem. The consideration of art within the context of a theory of second-order observation leads to a reconceptualization of aesthetic form. The remaining chapters explore the question of the system’s code, its function, and its evolution, concluding with an analysis of “self-description.”

Art as a Social System draws on a vast body of scholarship, combining the results of three decades of research in the social sciences, phenomenology, evolutionary biology, cybernetics, and information theory with an intimate knowledge of art history, literature, aesthetics, and contemporary literary theory. The book also engages virtually every major theorist of art and aesthetics from Baumgarten to Derrida.

Originally published in German in 1995 under the title Die Kunst der Gesellschaft, Suhrkamp, Frankfurt am Main

Translated by Eva M Knodt
Publisher Stanford University Press, 2000
Meridian: Crossing Aesthetics series
ISBN 0804739072, 9780804739078
422 pages

Publisher
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PDF (updated on 2012-7-17)

Iain Hamilton Grant: Philosophies of Nature after Schelling (2006)

‘The whole of modern European philosophy’, wrote F.W.J. Schelling in 1809, ‘has this common deficiency – that nature does not exist for it.’ Despite repeated echoes of Schelling’s assessment throughout the natural sciences, and despite the philosophy of nature recently proposed but not completed by Gilles Deleuze, Philosophies of Nature After Schelling argues that Schelling’s verdict remains accurate two hundred years later. Presenting a lucid account of Schelling’s major works in the philosophy of nature alongside those of his scientific contemporaries who pursued and furthered that work, this book does not simply aim to present Schelling’s extravagant ‘speculative physics’ as an historical episode. Rather, Schelling’s programme is presented as a viable and necessary corrective both to the rejection of metaphysics and the correlative ‘antiphysics’ at the ethical heart of contemporary philosophy.

Publisher Continuum International Publishing Group, 2006
Transversals: New Directions in Philosophy
ISBN 0826479030
232 pages

review (Joseph P. Lawrence)

publisher
google books

PDF (updated on 2012-12-20)

Friedrich Schelling: First Outline of a System of the Philosophy of Nature (1799/2004)

“Schelling’s first systematic attempt to articulate a complete philosophy of nature.

Appearing here in English for the first time, this is F. W. J. Schelling’s vital document of the attempts of German Idealism and Romanticism to recover a deeper relationship between humanity and nature and to overcome the separation between mind and matter induced by the modern reductivist program. Written in 1799 and building upon his earlier work, First Outline of a System of the Philosophy of Nature provides the most inclusive exposition of Schelling’s philosophy of the natural world. He presents a startlingly contemporary model of an expanding and contracting universe; a unified theory of electricity, gravity magnetism, and chemical forces; and, perhaps most importantly, a conception of nature as a living and organic whole.”

Translated and with an Introduction and Notes by Keith R. Peterson
Publisher SUNY Press, 2004
SUNY series in contemporary continental philosophy
ISBN 0791460037, 9780791460030
266 pages

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PDF (updated on 2017-2-17)