Christopher Small: Musicking: The Means of Performing and Listening (1998)
Filed under book | Tags: · aesthetics, culture, ethnomusicology, music, philosophy
Extending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. In this new book, Small outlines a theory of what he terms “musicking,” a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower.
Using Gregory Bateson’s philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This engaging and deftly written trip through the concert hall will have readers rethinking every aspect of their musical worlds.
Publisher Wesleyan University Press, 1998
ISBN 0819522570, 9780819522573
Length 230 pages
Leo L Beranek: Acoustics (1954/1993) [English/Spanish]
Filed under book | Tags: · acoustics, noise, sound recording
Classic textbook in the acoustics.
Publisher: Acoustical Society of America, New York
PDF (no OCR) [English] (updated on 2012-8-3)
PDF [Spanish] (updated on 2012-8-3)
Kristen Haring: Ham Radio’s Technical Culture (2007)
Filed under book | Tags: · history of technology, radio, technology
Decades before the Internet, ham radio provided instantaneous, global, person-to-person communication. Hundreds of thousands of amateur radio operators—a predominantly male, middle- and upper-class group known as “hams”—built and operated two-way radios for recreation in mid twentieth century America. In Ham Radio’s Technical Culture, Kristen Haring examines why so many men adopted the technical hobby of ham radio from the 1930s through 1970s and how the pastime helped them form identity and community.
Ham radio required solitary tinkering with sophisticated electronics equipment, often isolated from domestic activities in a “radio shack,” yet the hobby thrived on fraternal interaction. Conversations on the air grew into friendships, and hams gathered in clubs or met informally for “eyeball contacts.” Within this community, hobbyists developed distinct values and practices with regard to radio, creating a particular “technical culture.” Outsiders viewed amateur radio operators with a mixture of awe and suspicion, impressed by hams’ mastery of powerful technology but uneasy about their contact with foreigners, especially during periods of political tension.
Drawing on a wealth of personal accounts found in radio magazines and newsletters and from technical manuals, trade journals, and government documents, Haring describes how ham radio culture rippled through hobbyists’ lives. She explains why hi-tech employers recruited hams and why electronics manufacturers catered to these specialty customers. She discusses hams’ position within the military and civil defense during World War II and the Cold War as well as the effect of the hobby on family dynamics. By considering ham radio in the context of other technical hobbies—model building, photography, high-fidelity audio, and similar leisure pursuits—Haring highlights the shared experiences of technical hobbyists. She shows that tinkerers influenced attitudes toward technology beyond hobby communities, enriching the general technical culture by posing a vital counterpoint.
Publisher MIT Press, 2007
Series: Inside technology
ISBN 0262083558, 9780262083553
Length 220 pages