Judy Malloy (ed.): Women, Art, and Technology (2003)

“Although women have been at the forefront of art and technology creation, no source has adequately documented their core contributions to the field. Women, Art, and Technology, which originated in a Leonardo journal project of the same name, is a compendium of the work of women artists who have played a central role in the development of new media practice. The book includes overviews of the history and foundations of the field by, among others, artists Sheila Pinkel and Kathy Brew; classic papers by women working in art and technology; papers written expressly for this book by women whose work is currently shaping and reshaping the field; and a series of critical essays that look to the future.

Artist contributors include computer graphics artists Rebecca Allen and Donna Cox; video artists Dara Birnbaum, Joan Jonas, Valerie Soe, and Steina Vasulka; composers Cecile Le Prado, Pauline Oliveros, and Pamela Z; interactive artists Jennifer Hall and Blyth Hazen, Agnes Hegedus, Lynn Hershman, and Sonya Rapoport; virtual reality artists Char Davies and Brenda Laurel; net artists Anna Couey, Monika Fleischmann and Wolfgang Strauss, Nancy Paterson, and Sandy Stone; and choreographer Dawn Stoppiello. Critics include Margaret Morse, Jaishree Odin, Patric Prince, and Zoe Sofia.”

Foreword by Pat Bentson
Publisher MIT Press, 2003
ISBN 0262134241, 9780262134248
541 pages

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N. Katherine Hayles: Writing Machines (2002)

“Tracing a journey from the 1950s through the 1990s, N. Katherine Hayles uses the autobiographical persona of Kaye to explore how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts.

Weaving together Kaye’s pseudo-autobiographical narrative with a theorization of contemporary literature in media-specific terms, Hayles examines the ways in which literary texts in every genre and period mutate as they are reconceived and rewritten for electronic formats. As electronic documents become more pervasive, print appears not as the sea in which we swim, transparent because we are so accustomed to its conventions, but rather as a medium with its own assumptions, specificities, and inscription practices. Hayles explores works that focus on the very inscription technologies that produce them, examining three writing machines in depth: Talan Memmott’s groundbreaking electronic work Lexia to Perplexia, Mark Z. Danielewski’s cult postprint novel House of Leaves, and Tom Phillips’s artist’s book A Humument. Hayles concludes by speculating on how technotexts affect the development of contemporary subjectivity.”

Publisher MIT Press, 2002
Mediaworks Pamphlets
ISBN 0262582155, 9780262582155
144 pages

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Mario Diani, Doug McAdam (eds.): Social Movements and Networks: Relational Approaches to Collective Action (2003)

For the first time in a single volume, leading social movement researchers map the full range of applications of network concepts and tools to their field of inquiry. They illustrate how networks affect individual contributions to collective action in both democratic and non-democratic organizations; how patterns of inter-organizational linkages affect the circulation of resources both within movement milieus and between movement organizations and the political system; how network concepts and techniques may improve our grasp of the relationship between movements and elites, of the configuration of alliance and conflict structures, of the clustering of episodes of contention in protest cycles.Social Movements and Networks casts new light on our understanding of social movements and cognate social and political processes.

Publisher Oxford University Press, 2003
ISBN 0199251770, 9780199251773
Length 348 pages

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