Claire Huot: China’s New Cultural Scene: A Handbook of Changes (2000)

The Cultural Revolution of China’s Maoist era has come and gone, yet another cultural revolution of a different sort has been sweeping through China in the 1990s. Although recently much interest has been focused on China’s economy, few Westerners are aware of the remarkable transformations occurring in the culture of ordinary people’s daily lives. In China’s New Cultural Scene Claire Huot surveys the wide spectrum of art produced by Chinese musicians, painters, writers, performers, and filmmakers today, portraying an ongoing cultural revolution that has significantly altered life in the People’s Republic.

Western observers who were impressed by the bravery of the demonstrators in Tiananmen Square—and stunned at the harshness of their suppression—will learn from this book how that political movement led to changes in cultural conditions and production. Attending to all the major elements of this vast nation’s high and low culture at the end of a landmark decade, Huot’s discussion ranges from the cinematic works of Zhang Yimou, Chen Kaige, and others to emerging musical forms such as rock, punk, and rap. Other topics include television, theater, and avant-garde art, the new electronic media, and subversive trends in both literature and the visual arts.

With a comprehensive index of artists and works, as well as a glossary of Chinese words, China’s New Cultural Scene will enlighten students of Chinese culture and general readers interested in contemporary Asia.

Publisher Duke University Press, 2000
ISBN 0822324458, 9780822324454
258 pages

publisher
google books

PDF (no OCR; updated on 2012-7-14)

Steven Shaviro: Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales (2010)

Steven Shaviro: “The new issue (14.1) of the open-access journal Film-Philosophy is now online.

Featured in this issue as an ‘extended article’ (it comes out to 100 pages!) is my latest: Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales.

The article is freely available for download; it comprises about two thirds of my forthcoming book Post-Cinematic Affect, appearing sometime later this year from Zero Books. (The book version will include two additional chapters: one on Neveldine/Taylor’s Gamer, and a general conclusion).” (from author’s blog)

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View / Download other articles in Film Philosophy journal, issue 14.1

Steve J. Wurtzler: Electric Sounds: Technological Change and the Rise of Corporate Mass Media (2007)

Electric Sounds brings to vivid life an era when innovations in the production, recording, and transmission of sound revolutionized a number of different media, especially the radio, the phonograph, and the cinema.

The 1920s and 1930s marked some of the most important developments in the history of the American mass media: the film industry’s conversion to synchronous sound, the rise of radio networks and advertising-supported broadcasting, the establishment of a federal regulatory framework on which U.S. communications policy continues to be based, the development of several powerful media conglomerates, and the birth of a new acoustic commodity in which a single story, song, or other product was made available to consumers in multiple media forms and formats.

But what role would this new media play in society? Celebrants saw an opportunity for educational and cultural uplift; critics feared the degradation of the standards of public taste. Some believed acoustic media would fulfill the promise of participatory democracy by better informing the public, while others saw an opportunity for manipulation. The innovations of this period prompted not only a restructuring and consolidation of corporate mass media interests and a shift in the conventions and patterns of media consumption but also a renegotiation of the social functions assigned to mass media forms.

Steve J. Wurtzler’s impeccably researched history adds a new dimension to the study of sound media, proving that the ultimate form technology takes is never predetermined. Rather, it is shaped by conflicting visions of technological possibility in economic, cultural, and political realms. Electric Sounds also illustrates the process through which technologies become media and the ways in which media are integrated into American life.

Publisher Columbia University Press, 2007
Film and Culture series
ISBN 0231136773, 9780231136778
393 pages

Review (Jonathan Sterne, Cinema Journal, 2008)
Review (Gerd Horten, The American Historical Review, 2008)
Review (Heidi Tworek, H-Net/Jhistory, 2010)

Publisher
Google books

PDF (updated on 2012-8-3)