Limn, 0-2: Prototyping Prototyping / Systemic Risk / Crowds and Clouds (2010-2012)

Limn, 0: Prototyping Prototyping, Nov 2010

“Before there was LIMN, there were several different prototypes. The first was occasioned by a conference: on prototypes. Held in Madrid in November of 2010, and organized by Adolpho Estalella and Alberto Corsín Jimenez, it was a conference for which this issue was imagined as a kind of pre-conference publication–another riff on the prototype. Many of the problems LIMN seeks to address were worked out in part through this conference and the publication: from the use of new media, to the function of conferences and conference papers, to the idea of a publication that precedes or determines a social event. Issue Number Zero was very much a prototype, and bears the traces of that concept and the discussion of it by the generous participants.”

Contributors: George Marcus, Marilyn Strathern, James Leach, Alberto Corsin Jimenez and Adolfo Estalella, Alex Wilkie, Nerea Calvillo, Javier Lezaun, Lucy Suchman, Lina Dib, Michael Guggenheim, Alain Pottage

HTML (updated on 2019-7-8)

Limn, 1: Systemic Risk, Jan 2011

“Systemic risk has become a central topic of expert discussion and political debate amidst the financial crisis that began in 2008, but it also has resonances across many other domains in which catastrophic threats loom – including internet security, supply chain management, catastrophe insurance, and critical infrastructure protection. In this issue, we invited scholars to contribute genealogical and conceptual framings that inform critical inquiry into this increasingly important concept. The result is not a traditional collection of academic articles but a set of brief, preliminary reflections, prepared on short notice, that address a common set of questions, along with a handful of documents, links, images and videos that illustrate different aspects of the concept.”

Contributors: Benjamin Sims, Deborah Cowen, Myriam Dunn Cavelty, Elizabeth Cullen Dunn, Christopher M. Kelty, Philip Bougen, Stephen J. Collier, Andrew Lakoff, Onur Ozgöde, Douglas R. Holmes, Rebecca Lemov, Brian Lindseth, Martha Poon, Grahame Thompson

HTML (updated on 2019-7-8)

Limn, 2: Crowds and Clouds, Mar 2012

“This issue of LIMN focuses on new social media, data mining and surveillance, crowdsourcing, cloud computing, big data, and Internet revolutions. Rather than follow the well-worn paths of argument typical today, our contributors address the problems in new ways and at odd angles: from the power and politics of statistics and algorithms to crowdsourcing’s discontents to the capriciousness of collectives in an election; from the focus group and the casino to the worlds of micro-finance and data-intensive policing. Together they raise questions about the relationship of technology and the collectives that form in and through them.”

Contributors: Christopher Kelty, Alain Desrosières, Lilly Irani, Chris Csikszentmihályi, Gabriella Coleman, Nick Seaver, Emmanuel Didier, Alek Felstiner, Tarleton Gillespie, Roma Jhaveri, Daniel Kreiss, Natasha Dow Schüll, Rebecca Lemov, Maria Vidart, Amira Pettus, Jonathan R. Baldwin, and Ruben Hickman

HTML (updated on 2019-7-8)

“Limn is somewhere between a scholarly journal and an art magazine. It is an attempt to communicate and display ongoing scholarly research. Limn outlines contemporary problems. It draws material from networks of experts in the social and human sciences and is intended to be timely, diverse in perspective, authoritative, well written and beautifully designed. The focus is on contemporary problems in our global, politically interconnected, technologically intense culture: problems of infrastructure, ecological vulnerability, economic interdependence, and relentless technological invention.”

Editors: Stephen J. Collier, Christopher M. Kelty, Andrew Lakoff
Creative Commons BY-SA 3.0 Unported License

Magazine website

China: the Sonic Avant-Garde, 1-2 (2005-2006) [Chinese]

“This not-to-be-missed webzine about Chinese sound art is the endeavor by some of the key figures of the scene (sic, XU Cheng, etc.).

The first issue features a long interview of Dajuin Yao, the most important driving force/entrepreneur of Chinese new music, a must-read Autechre interview translated from Japanese (originally published on the Japanese magazine FADE) by Taiwan sound artist Wolfenstein, tips on field-recording by WANG Changcun and Dajuin Yao, and LI Jianhong, Ronez’s account of their latest albums.

The design job was done by XU Cheng, who’s also a designer and is responsible for artworks of many Chinese experimental releases.” (via Lawrence R.Y. LI’s blog Global Noise Offline)

Editorial staff: CHEN Wei, XU Cheng, ZHANG Liming

Publisher (from Internet Archive)

Issue 1 (updated on 2017-11-29)
Issue 2 (updated on 2017-11-29)

Philip K. Dick: The Exegesis of Philip K. Dick (2011)

Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called “2-3-74,” a postmodern visionary experience of the entire universe “transformed into information.” In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work.

Editors Jonathan Lethem, Pamela Jackson
Annotation Editor Erik Davis
Publisher Houghton Mifflin Harcourt, Boston/New York, November 2011
ISBN 054754927X, 9780547549279
1056 pages
via Podinski

review (Charles Platt, The New York Times)
review (Daniel Kalder, The Guardian)
commentary (Simon Critchley)

the book trailer
wikipedia
Philip K. Dick Trust
publisher
google books

PDF (EPUB; updated on 2012-6-13)