Lawrence Lessig: One Way Forward: The Outsider’s Guide to Fixing the Republic (2012)

“Something is clearly rotten in our Republic. Americans are disillusioned with the political system and angry as hell. They feel like outsiders in their own nation, powerless over their own lives, blocked from having a real voice in how they are governed. But all of this can change. Lawrence Lessig, the renowned Harvard Law School professor and political activist presents a user-friendly, bipartisan manifesto for revolution just when we need it the most. His audaciously simple solution? Kill political corruption at its root: money.”

Publisher Byliner Inc., San Francisco, February 2012
ISBN 1614520232, 9781614520238

Commentary: Cory Doctorow (BoingBoing, 2012).

Author (discussion space for revision of the book)
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EPUB (updated on 2012-6-13)
MOBI (updated on 2012-6-13)

Christian Ulrik Andersen, Geoff Cox, Jacob Lund (eds.): Nyhedsavisen: Public Interfaces, No. 1 (2011)

Nyhedsavisen: Public Interfaces is a fake newspaper presenting cutting edge research in an accessible free tabloid format. The newspaper is a 100% genuine copy of the famous Danish newspaper Jyllands-Posten.

The increasing demand for publication of academic peer-reviewed journal articles must be met. Unfortunate examples demonstrate that this may lead to plagiarism. This is not a viable solution. Research must be original and academia is not lacking original content. But perhaps researchers need new visions of how to produce research? Perhaps the readers need new ways of consuming research? Why not imagine academic research as something that can be consumed on a daily basis, in the train or at the breakfast table?

On April 1, at 1 pm, Nyhedsavisen: Public Interfaces was handed out to the public at the metro station ‘DR Byen/Universitetet’ in Copenhagen as well as at the central railway station in Aarhus and the State Library. Also, issues were tactically placed in selected free newspaper stands and at University lunchrooms worldwide.

Emerging from the Digital Aesthetics Research Center and the Center for Digital Urban Living (Aarhus University), the aim of Nyhedsavisen: Public Interfaces is to encompass the changing concept of the ’public’. This is the result of an ongoing research in the computer interface.

The starting point for the newspaper is that the computer interface is a cultural paradigm affecting not only our creative production and presentation of the world but also our perception of the world. Its authors recognize that in the past decade, interfaces have been expanding from the graphical user interface of the computer to meet the needs of different new technologies, uses, cultures and contexts: they are more mobile, networked, ubiquitous, and embedded in the environment and architecture, part of regeneration agendas and new aesthetic and cultural practices, etc. Nyhedsavisen: Public Interfaces investigates these new interfaces that affect relations between public and private realms, and generate new forms urban spaces and activities, new forms of exchange and new forms of creative production.

The newspaper is organised into thematic strands (urban, art, capital) and brings together researchers from diverse fields – across aesthetics, cultural theory, architecture, digital design and urban studies – united by the need to understand public interfaces and the paradigmatic changes they pose to these fields.

All articles derive from an initial conference and PhD workshop held in January 2011, at Aarhus University.

Publisher Digital Aesthetics Research Center & Center for Digital Urban Living, Aarhus University, Aarhus, March 2011
ISBN 87-91810-18-3
Creative Commons Attribution-NonCommercial-ShareAlike License
24 pages

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Drew Hemment, Charlie Gere (eds.): FutureEverybody: FutureEverything Report (2012)

“This is a report on FutureEverybody, the FutureEverything theme in 2012. It consists of short essays by participants in the FutureEverything 2012 festival [16-19 May 2012, Manchester, England] and an overview of the festival and conference programme by the curators. These offer reflections on the FutureEverybody theme, the art and design projects in the festival, and the issues and initiatives presented within the conference. Each year FutureEverything proposes and develops particular themes, in its annual festival and year round innovation labs. These themes are provocations, designed to open up a space for practice and debate, made tangible through art and design projects which seek to bring the future into the present.” (editors)

Publisher: FutureEverything, 2012
Creative Commons Attribution-NonCommercial 3.0 Unported License
63 pages

publisher

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