Brian Massumi: Semblance and Event: Activist Philosophy and the Occurrent Arts (2011)

Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of “semblance” as a way to approach this question.

It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: “lived abstraction.” A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented–variously known as interactive art, ephemeral art, performance art, art intervention–which he refers to collectively as the “occurrent arts.” Massumi argues that traditional art practices, including perspective painting, conventionally considered to be object-oriented freeze frames, also organize events of perception, and must be considered occurrent arts in their own way. Each art practice invents its own kinds of relational events of lived abstraction, to produce a signature species of semblance.

The artwork’s relational engagement, Massumi continues, gives it a political valence just as necessary and immediate as the aesthetic dimension. Massumi investigates occurrent art practices in order to examine, on the broadest level, how the aesthetic and the political are always intertwined in any creative activity.

Publisher MIT Press, 2011
Technologies of Lived Abstraction series
ISBN 0262134918, 9780262134910
220 pages

publisher
google books

PDF (updated on 2012-7-24)

Gary Hall (ed.): Digitize Me, Visualize Me, Search Me: Open Science and its Discontents (2011-)

“One of the aims of the Living Books About Life series is to provide a ‘bridge’ or point of connection, translation, even interrogation and contestation, between the humanities and the sciences. Accordingly, this introduction to Digitize Me, Visualize Me, Search Me takes as its starting point the so-called ‘computational turn’ to data-intensive scholarship in the humanities.

The phrase ‘the computational turn’ has been adopted to refer to the process whereby techniques and methodologies drawn from computer science and related fields – including science visualization, interactive information visualization, image processing, network analysis, statistical data analysis, and the management, manipulation and mining of data – are being increasingly used to produce new ways of approaching and understanding texts in the humanities – what is sometimes thought of as ‘the digital humanities’.” (from Introduction)

Publisher Open Humanities Press
Living Books About Life series

View online (wiki/PDF/HTML articles/videos)
PDF (PDF’d Introduction with hyperlinked articles)

Kevin Mitnick: Ghost in the Wires: My Adventures as the World’s Most Wanted Hacker (2011)

“Kevin Mitnick was the most elusive computer break-in artist in history. He accessed computers and networks at the world’s biggest companies–and however fast the authorities were, Mitnick was faster, sprinting through phone switches, computer systems, and cellular networks. He spent years skipping through cyberspace, always three steps ahead and labeled unstoppable. But for Kevin, hacking wasn’t just about technological feats-it was an old fashioned confidence game that required guile and deception to trick the unwitting out of valuable information.

Driven by a powerful urge to accomplish the impossible, Mitnick bypassed security systems and blazed into major organizations including Motorola, Sun Microsystems, and Pacific Bell. But as the FBI’s net began to tighten, Kevin went on the run, engaging in an increasingly sophisticated cat and mouse game that led through false identities, a host of cities, plenty of close shaves, and an ultimate showdown with the Feds, who would stop at nothing to bring him down.

Ghost in the Wires is a thrilling true story of intrigue, suspense, and unbelievable escape, and a portrait of a visionary whose creativity, skills, and persistence forced the authorities to rethink the way they pursued him, inspiring ripples that brought permanent changes in the way people and companies protect their most sensitive information.”

Written with William L. Simon
Foreword by Steve Wozniak
Publisher Little, Brown and Company, 2011
ISBN 0316134473, 9780316134477

review (J.D. Biersdorfer, The New York Times)

PDF (updated on 2016-12-23)