Jakob Jakobsen: The Ramallah Lecture (2010)

This book is based on a blog written by the visual artist and political activist Jakob Jakobsen during a six-week stay in Ramallah and the West Bank.

“In the summer of 2008 I visited Palestine. ArtSchool Palestine had invited me over for the purpose of meeting and working with local artists and other people in the occupied territories. As the theme of my visit was relatively open, my Palestinian host explained that my stay here could be understood as a type of artistic research. That suited me fine as I had worked with activist investigations and artistic research in The Copenhagen Free University for almost six years.

I’ve followed the situation in Palestine for many years and the Palestinian cause has persistently challenged my political sense of justice. Since September 11th 2001 the conflict has been spun more and more into the War against Terror and life for the Palestinians appears to have become even more troublesome. But what do you really know as an outsider and a media consumer in the West? In terms of the struggles over territory that go on in and around this small piece of land some call Palestine, what actually shapes the scenery that is produced in the public sphere? My stay in Palestine was an opportunity to get closer to the everyday conditions in the occupied territories, although I was constantly asking myself about my own role as an artist and a political person in this situation of conflict” (from the Introduction)

Publisher Nebula, Copenhagen; in association with ArtSchool Palestine, Ramallah, 2010
ISBN 978-87-993651-3-5
194 pages

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Continental Drift Zagreb (2008)

“It’s always useful to turn dreams into realities, because you get to measure the differences and even let yourselves be guided by the intrinsic gaps between the two. Continental Drift was the dream of a geopolitical analysis carried out by a diverse group (theorists, artists, activists) and mapped onto everyday social and political life as an expanding set of explanations and expressive potentials. The dream was made in USA, and even on Wall Street in New York City, but it was realized by a group of immigrants, returning exiles and general misfits, all marked by the basic heresy of left positions in an age of liberal capitalist empire. By transplanting this inquiry to Zagreb, Croatia – the home of the What, How & For Whom? collective – it seems we are bringing a new dream into focus. The desire is that of widening the intrepretative circle, crossing divides of language and historical experience, trying to build capacities of understanding and confrontation between the immigrants, exiles and misfits of the big continental blocs and especially their edges – the cracks that open up wherever anyone can no longer stand what is taken and imposed as the norm. Empire as we see it is always falling apart, for better and usually for worse, under the pressure of massive processes which we are unlikely to even see coming, let alone grasp or have the agency to change in any way. Yet as the urgency and also the absurdity of the present predicament begins to rise in intensity, at least all around there are people trying similar experiments.” (Brian Holmes)

Novine Galerije Nova, No 15, May 2008
Publishers: What, How and for Whom/WHW, Zagreb; AGM, Zagreb
Editors: Continental Drift Zagreb team (Ayreen Anastas, Rene Gabri, Brian Holmes, Claire Pentecost, What, How and for Whom/WHW, Ivet Ćurlin, Ana Dević, Nataša Ilić, Sabina Sabolović)
Design: Dejan Kršić
36 pages

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Mikkel Bolt Rasmussen, Jakob Jakobsen (eds.): Expect Anything Fear Nothing: The Situationist Movement in Scandinavia and Elsewhere (2011)

“This volume is the first English-language presentation of the Scandinavian Situationists and their role in the Situationist movement. The Situationist movement was an international movement of artists, writers and thinkers that in the 1950s and 1960s tried to revolutionize the world through rejecting bourgeois art and critiquing the post-World War Two capitalist consumer society.

The book contains articles, conversations and statements by former members of the Situationists’ organisations as well as contemporary artists, activists, scholars and writers. While previous publications about the Situationist movement almost exclusively have focused on the contribution of the French section and in particular on the role of the Guy Debord this book aims to shed light on the activities of the Situationists active in places like Denmark, Sweden and Holland. The themes and stories chronicled include: The anarchist undertakings of the Drakabygget movement led by the rebel artists Jørgen Nash, Hardy Strid and Jens Jørgen Thorsen, the exhibition by the Situationist International “Destruction of RSG-6” in 1963 in Odense organised by the painter J.V. Martin in collaboration with Guy Debord, the journal The Situationist Times edited by Jacqueline de Jong, Asger Jorn’s political critique of natural science and the films of the Drakabygget movement.”

Contributors: Peter Laugesen, Carl Nørrested, Fabian Tompsett, Mikkel Bolt Rasmussen, Jacqueline de Jong, Gordon Fazakerley, Hardy Strid, Karen Kurczynski, Stewart Home, Jakob Jakobsen.

Publisher Nebula, Copenhagen; in association with Autonomedia, New York, 2011
Open access
ISBN 879936512X, 9788799365128
288 pages

Reviews: Kim West (Kunstkritikk, 2011), Lugo (2011).

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See also Bolt, Jakobsen (eds.), Cosmonauts of the Future: Texts from the Situationist Movement in Scandinavia and Elsewhere, 2015.
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