Michael T. Saler: The Avant-Garde in Interwar England: Medieval Modernism and the London Underground (1999)

This book addresses modernism’s ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. Specifically, The Avant-Garde in Interwar England explores the life of Frank Pick, managing director of the London Underground, whose patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. Saler demonstrates that modernism was widely associated in England with medievalism, and was also thought to have direct social, economic, and spiritual benefits for the nation.

Publisher Oxford University Press, 1999
ISBN 0195119665, 9780195119664
242 pages

publisher
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PDF (updated on 2012-7-18)

George Lewis: A Power Stronger Than Itself: The AACM and American Experimental Music (2008)

Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images.

Moving from Chicago to New York to Paris, and from founding member Steve McCall’s kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art.

Publisher University of Chicago Press, 2008
The Kenneth Nebenzahl, Jr. , Lectures in the History of Cartography Series
ISBN 0226476952, 9780226476957
Length 676 pages

Publisher
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PDF, PDF (updated on 2014-12-22)

Renee Levine Packer: This Life of Sounds: Evenings for New Music in Buffalo (2010)

This Life of Sounds portrays an important and previously unexplored corner of the history of new music in America: the Center of the Creative and Performing Arts in the State University of New York at Buffalo. Composers Lukas Foss (the Center’s founder), Lejaren Hiller, and Morton Feldman were the music directors over the life of “the Buffalo group,” during the years 1964-1980. Based on Foss’s plan, the Rockefeller Foundation provided annual fellowships for young composers and virtuoso instrumentalists to live in Buffalo for up to two years, thus creating a cadre of like-minded musicians who would spend their time studying, creating, and performing difficult – often controversial – new work. The new legendary group of musicians (some would say “musical outlows”) who participated in the Buffalo group included Pulitzer Prize winner George Crumb, Terry Riley, Cornelius Cardew, Maryanne Amacher, Frederic Rzewski, David Tudor, Julius Eastman, and many more. Composers John Cage, Jim Tenney, Iannis Xenakis and others all figure int he story as well. The book provides valuable accounts of the Center’s influential concert series, Evenings for New Music, performed in Buffalo, New York and throughout Europe; its famous recording of Terry Riley’s In C; the political activism of the time; and the intersection of academic, private, and institutional funding for the arts. Life magazine declared in an article about the 1965 Fest of the Arts Today titled, “Can This Be Buffalo?”, “Buffalo exploded last month in a two-week avant garde festival that was bigger and hipper than anything ever held in Paris or New York…” The concerts, the festivals, and the adventurous musical climate attracted filmmakers and young visual arts resulting in what one person called “one of those kinds of places the way people talk about Vienna in 1900-1910.”

– Chronicles an exuberant period of artistic exploration and experimentation in America from an insider’s perspective
– Provides the first full-length study of the Buffalo new music group, the Creative Associates
– Features international leaders in contemporary music such as Morton Feldman, John Cage, Julius Eastman, and Cornelius Cardew
– Portrays the growth of the avant-garde during the 1960s and 1970s through previously unexplored terrain

Publisher Oxford University Press, 2010
ISBN 0199730776, 9780199730773
244 pages

publisher
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PDF (updated on 2012-7-22)