Jean-Luc Chabert, et al.: A History of Algorithms: From the Pebble to the Microchip (1994–) [French, English]

A source book for the history of mathematics, but one which offers a different perspective by focusing on algorithms. With the development of computing has come an awakening of interest in algorithms. Often neglegted by historians and modern scientists, more concerned with the nature of concepts, algorithmic procedures turn out to have been instrumental in the development of fundamental ideas: practice led to theory just as much as the other way round. The purpose of this book is to offer a historical background to contemporary algorithmic practice. Each chapter centres around a theme, more or less in chronological order, and the story is told through the reading of over 200 original texts, faithfully reproduced. This provides an opportunity for the reader to sit alongside such mathematicians as Archimedes, Omar Khayyam, Newton, Euler and Gauss as they explain their techniques. The book ends with an account of the development of the modern concept of algorithm.

With Évelyne Barbin, Michel Guillemot, Anne Michel-Pajus, Jacques Borowczyk, Ahmed Djebbar, and Jean-Claude Martzloff
Publisher Belin, Paris, 1994
ISBN 2701113466, 9782701113463
591 pages

English edition
Translated by Chris Weeks
Publisher Springer, 1999
ISBN 3540633693
524 pages

Publisher (FR, new edition)
Publisher (EN)

Histoire d’algorithmes: du caillou à la puce (French, DJVU, 10 MB)
A History of Algorithms: From the Pebble to the Microchip (English, DJVU, 6 MB)

See also Algomation.com, a platform for viewing, creating and sharing algorithms.

Suzanne Briet: What is Documentation? (1951/2006) [French, English]

Born in Paris in 1894, Suzanne Briet was active in the development of what was then known as Documentation but would now be called Information Management or Information Science. In 1931, she participated in founding the Union Française des Organismes de Documentation (UFOD). She was a leader in developing professional education for this new specialty and designed a plan for what would have been the first school of Documentation / Information Science worldwide, had it been established. In 1951, when a school of information science was finally established, Briet was the founding Director of Studies. She became Vice President of the International Federation for Documentation (FID) and acquired the nickname “Madame Documentation.”

What is Documentation? relates this fascinating story and includes the first English translation of Briet’s remarkable manifesto on the nature of documentation, Qu’est-ce que la documentation?. Part I sought to push the boundaries of the field beyond texts to include any material form of evidence (“Is a living animal a document?” she asked). Part II argued that a new and distinct profession was emerging. Part III urged the societal need for new and active documentary services.

This tract remains significant due to its continuing relevance towards understanding the nature, scope, and societal impacts of documents and documentation. Briet’s modernist perspective, combined with semiotics, deserves attention now because it offers a sturdy and insightful alternative to the scientific, positivist view that has so dominated information science and which is increasingly questioned.

Publisher EDIT, Paris, 1951
48 pages
via Laurent Martinet

English edition
Translated and edited by Ronald E. Day and Laurent Martinet with Hermina G. B. Anghelescu
Publisher Scarecrow Press, 2006
84 pages
via Ronald E. Day

Reviews: W. Bede Mitchell (College & Research Libraries, 2007), Jonathan Furner (Libraries & the Cultural Record, 2008).

Publisher (EN)

Qu’est-ce que la documentation? (French, 1951, updated on 2017-11-16)
What is Documentation? (English, 2006, PDFs), single PDF (OCR’d, added 2014-8-14 via Marcell Mars)

eContact! 15(4): Videomusic: Overview of an Emerging Art Form (2014) [English, French]

Videomusic is a field of practice that could be seen as a subset of visual music, a term which can be considered today to be familiar enough to speak for itself. This broader area of artistic activity includes digital work, cinema, painting and visual “instruments”, and dates back at least to the 18th century.

Contributions by Maura McDonnell, Patrick Saint-Denis, Inés Wickmann, Joseph Hyde and Jean Piché, Laurie Radford, Nicolas Wiese, Claudia Robles-Angel, Diego Garro, Andrew Lewis, Jon Weinel and Stuart Cunningham, and David Candler. Interviews by Bob Gluck with Mario Davidovsky, Alfredo Del Mónaco and Sergio Cervetti, alcides lanza, and Edgar Valcárcel.

Editor jef chippewa
Publisher Canadian Electroacoustic Community, Montreal, April 2014

View online (English, HTML articles)
View online (French, HTML articles)