Luc Boltanski, Eve Chiapello: The New Spirit of Capitalism (1999–) [EN, RU]

“A century after the publication of Max Weber’s The Protestant Ethic and the “Spirit” of Capitalism a major new work examines network-based organization, employee autonomy and post-Fordist horizontal work structures.

Why is the critique of capitalism so ineffective today? In this major work, the sociologists Eve Chiapello and Luc Boltanski suggest that we should be addressing the crisis of anticapitalist critique by exploring its very roots.

Via an unprecedented analysis of management texts which influenced the thinking of employers and contributed to reorganization of companies over the last decades, the authors trace the contours of a new spirit of capitalism. From the middle of the 1970s onwards, capitalism abandoned the hierarchical Fordist work structure and developed a new network-based form of organization which was founded on employee initiative and relative work autonomy, but at the cost of material and psychological security.

This new spirit of capitalism triumphed thanks to a remarkable recuperation of the “artistic critique”— that which, after May 1968, attacked the alienation of everyday life by capitalism and bureaucracy. At the same time, the “social critique” was disarmed by the appearance of neocapitalism and remained fixated on the old schemas of hierarchical production.

This book, remarkable for its scope and ambition, seeks to lay the basis for a revival of these two complementary critiques.”

First published in French in 1999.

English edition
Publisher Verso, 2005
Translated by Gregory Elliott
ISBN 1859845541, 9781859845547
601 pages

Publisher

The New Spirit of Capitalism (English, trans. Gregory Elliott, 2005, updated on 2012-11-4)
Novyy dukh kapitalizma (Russian, trans. S. Fokin, 2011, added on 2017-6-18)

Michel Chion: Guide To Sound Objects: Pierre Schaeffer and Musical Research (1983–) [FR, EN]

This work is an introductory guide to the monumental Traité des objets musicaux. An index lists each Schaeferian term. Discussions of each of the terms include a combination of Pierre Schaeffer’s key ideas, includinga short definition, and the inclusion of reference pages within the Traité des objets musicaux.

Publisher Buchet/Chastel, Paris, and Institut National de l’Audiovisuel, Bry-sur-Marne, 1983/1995
ISBN 2702014399
187 pages

English edition
Translated by John Dack and Christine North
London, 2009
212 pages

More information

Guide des objets sonores: Pierre Schaeffer et la recherche musicale (French, 1983/1995, added on 2014-3-8)
Guide To Sound Objects: Pierre Schaeffer and Musical Research (English, trans. John Dack and Christine North, updated on 2012-8-3), Chapters (on EARS, added on 2014-11-16), Scribd (updated on 2012-8-3)

Susan Kozel: Closer: Performance, Technologies, Phenomenology (2007)

“In Closer, Susan Kozel draws on live performance practice, digital technologies, and the philosophical approach of phenomenology. Trained in dance and philosophy, Kozel places the human body at the center of explorations of interactive interfaces, responsive systems, and affective computing, asking what can be discovered as we become closer to our computers—as they become extensions of our ways of thinking, moving, and touching.

Performance, Kozel argues, can act as a catalyst for understanding wider social and cultural uses of digital technology. Taking this one step further, performative acts of sharing the body through our digital devices foster a collaborative construction of new physical states, levels of conscious awareness, and even ethics. We reencounter ourselves and others through our interactive computer systems. What we need now are conceptual and methodological frameworks to reflect this.

Kozel offers a timely reworking of the phenomenology of French philosopher Maurice Merleau-Ponty. This method, based on a respect for lived experience, begins by listening to the senses and noting insights that arrive in the midst of dance, or quite simply in the midst of life. The combination of performance and phenomenology offered by Closer yields entwinements between experience and reflection that shed light on, problematize, or restructure scholarly approaches to human bodies using digital technologies.

After outlining her approach and methodology and clarifying the key concepts of performance, technologies, and virtuality, Kozel applies phenomenological method to the experience of designing and performing in a range of computational systems: telematics, motion capture, responsive architectures, and wearable computing.

The transformative potential of the alchemy between bodies and technologies is the foundation of Closer. With careful design, future generations of responsive systems and mobile devices can expand our social, physical, and emotional exchanges.”

Publisher MIT Press, 2007
Designer: Rebeca Méndez
ISBN 0262113104, 9780262113106
355 pages

Publisher

PDF (updated 2016-5-4)