Walter Benjamin: The Work of Art in the Age of Its Technological Reproducibility (1936-) [FR, DE, CZ, RU, SK, ES, PT, EN]

“Benjamin‘s famous ‘Work of Art’ essay sets out his boldest thoughts–on media and on culture in general–in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.

This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin’s explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.

This book contains the second, and most daring, of the four versions of the ‘Work of Art’ essay–the one that addresses the utopian developments of the modern media. The collection tracks Benjamin’s observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin’s best-known work alongside fascinating, little-known essays–some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin’s media theory can be fully appreciated.”

Edited by Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin
Translated by Edmund Jephcott, Rodney Livingstone, Howard Eiland, and others
Publisher The Belknap Press of Harvard University Press, Cambridge/MA and London, 2008
ISBN 0674024451, 9780674024458
448 pages

Wikipedia (EN)

The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (English, 2008, updated on 2019-12-9)

Versions and translations of the essay “Work of Art..”:
L’œuvre d’art à l’époque de sa reproduction méchanisée (French, trans. Pierre Klossowski, 1936, updated on 2013-1-12)
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (German, 1963, added on 2014-3-10)
Umělecké dílo v době své technické reprodukovatelnosti (Czech, trans. Věra Saudková, 1979, added on 2014-3-10)
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. Dritte Fassung (German, 1980, added on 2014-3-10)
Proizvedenie iskusstva v epokhu ego tekhnicheskoy vosproizvodimosti. Izbrannye esse (Russian, trans. S.A. Romashko, 1996, added on 2013-1-12)
Umelecké dielo v epoche svojej technickej reprodukovateľnosti (Slovak, trans. Adam Bžoch, 1999, added on 2014-3-10)
La obra de arte en la época de su reproductibilidad técnica. Urtext (Spanish, trans. Andrés E. Weikert, 2003, added on 2014-3-10)
A obra de arte na época da sua possibilidade de reprodução técnica. 3ª versão (Portuguese, trans. João Barrento, 2006, added on 2014-3-10)

For more versions of the essay see Benjamin’s bibliography on Monoskop wiki.

Lawrence Lessig: Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity (2004–) [EN, ES, IT, HU, PL, CAT, ZH, DE, RU, PT, FR, CZ, KZ, NO]

“Lawrence Lessig argues that never before in human history has the power to control creative progress been so concentrated in the hands of the powerful few, the so-called Big Media. Never before have the cultural powers- that-be been able to exert such control over what we can and can’t do with the culture around us. Our society defends free markets and free speech; why then does it permit such top-down control? To lose our long tradition of free culture, Lawrence Lessig shows us, is to lose our freedom to create, our freedom to build, and, ultimately, our freedom to imagine.”

Publisher Penguin, 2004
Creative Commons Attribution-NonCommercial 1.0 License
ISBN 1594200068, 9781594200069
345 pages

Wikipedia

Free Culture (English, 2004)
Cultura libre (Spanish, 2004)
Cultura libera (Italian, 2005)
Szabad kultura (Hungarian, 2005)
Wolna kultura (Polish, 2005)
Cultura lliure (Catalan, 2005)
自由文化 (Chinese, 2006)
Freie Kultur (German, 2006)
Свободная Культура (Russian, 2007)
Cultura livre (Portuguese, 2007)
Culture libre (French, 2009)
Svobodná kultura (Czech, 2010)
Еркін мәдениет (Kazakh, 2012)
Fri kultur (Norwegian, 2015, other formats)

Networked Politics. Rethinking political organisation in an age of movements and networks (2007)

Networked Politics is the product of a collaborative research process for rethinking political organisation in an age of movements and networks. In a world where the traditional institutions of democratic control have been weakened by an unconstrained global market and superpower military ambitions, it uncovers diverse forms of resistance with the potential to create new institutions for social change. The authors set out the principles upon which such transformations should be based, and the challenges that stand in the way of their realisation.

The discussion is then pursued along four interrelated lines of inquiry. These examine social movements, including their development of new forms of knowledge and organisation; progressive political parties, and attempts to bring about transformative forms of political respresentation; the dangers and opportunities facing the development of political institutions in a network society; and the potential of new techno-political tools for facilitating and reconceiving political organisation. A series of case studies are also offered, drawing critical lessons from the experience of the German Green Party; the 2006 French mobilisation against the controversial CPE employment law; and an extended discussion on ‘open source as a metaphor for new institutions’.

Eds. Hilary Wainwright, Oscar Reyes, Marco Berlinguer, Fiona Dove, Mayo Fuster I Morrell and Joan Subirats

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