Marcel Broodthaers: Un coup de Dés jamais n’abolira le Hasard (1969) [French]

Un coup de dés jamais n’abolira le hasard [A Throw of the Dice will Never Abolish Chance] is an artist’s book by Marcel Broodthaers published November 1969 in Antwerp. The work is a close copy of the first edition of the Symbolist poet Stéphane Mallarmé’s poem of the same name, published in 1897, but with all the words removed, replaced by black stripes that correspond directly to the typographic layout used by Mallarmé to articulate the text.

Often included in exhibitions tracing the history of the artist’s book, the work is seen as a seminal example of the European post-avant-garde. (from Wikipedia)

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Robert Darnton: Great Cat Massacre and Other Episodes in French Cultural History (1984–)

“When the apprentices of a Paris printing shop in the 1730s held a series of mock trials and then hanged all the cats they could lay their hands on, why did they find it so hilariously funny that they choked with laughter when they reenacted it in pantomime some twenty times? Why in the eighteenth-century version of Little Red Riding Hood did the wolf eat the child at the end? What did the anonymous townsman of Montpelier have in mind when he kept an exhaustive dossier on all the activities of his native city? These are some of the provocative questions Robert Darnton answers in this classic work of European history in what we like to call ‘The Age of Enlightenment.'”

First published in 1984
Publisher Basic Books, New York, 1990
ISBN 0465027008
298 pages

Reviews: Roger Chartier (Journal of Modern History, 1985), David E. Apter (American Journal of Sociology, 1985).
Commentaries: Darnton (Journal of Modern History, 1986), Dominick LaCapra (Journal of Modern History, 1988), Philip Stewart (Journal of Modern History, 1994).

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.dpi, Feminist Journal of Art and Digital Culture, 27: Hacktivism (2013) [English/French]

“Founded by artist-run-centre Studio XX in 2004, in Montreal, the publication .dpi has recently undergone a major transformation in order to assert itself as a feminist journal of art and digital culture. In 2013, with continuing administrative and technological support from Studio XX, the journal .dpi became an independent project, with a new platform (beta version) and new team including permanent editor in chief, Sophie Le-Phat Ho, and a new editorial committee composed of Julie Alary Lavallée, Amber Berson, Esther Bourdages, Christina Haralanova, Corina MacDonald, Katja Melzer, Candace Mooers and Deanna Radford.

In a time when social gains are threatened, funding for artist-run-centres is precarious, and the need for intelligent critique is urgent, the new crew at .dpi wishes to respond to a real need for the creation of an interdisciplinary community of those at once curious and critical of technologies, feminisms and art.

Bringing together a dozen local and international participants, .dpi 27 presents a themed section on hacktivism coordinated by Christina Haralanova, a feminist activist and researcher who is interested by freedom in technology and open-source software. Hacktivism: the Art of Practicing Life and Computer Hacking for Feminist Activism brings together unique perspectives and critiques of the current state of hacktivism, a fusion of hacking and activism.”

Published in Montreal, April 2013
ISSN 1712-9486

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