Manfred Mohr: Computer Graphics. Une esthétique programmée, catalogue (1971) [French/English]
Filed under catalogue | Tags: · art, computer art, computer graphics

In 1970 Pierre Gaudibert, director of Animation-Recherche-Confrontation (ARC) at the Musée d’Art Moderne de la Ville de Paris, visited the computer center of the Meteorology Institute in Paris, Avenue Rapp, where Manfred Mohr conducted his research in computer graphics. Gaudibert was so impressed by what he saw that he subsequently invited Mohr to prepare a show of his work at the Museum.
An exhibition by Manfred Mohr, featuring for the first time, a one-person show in a museum of works entirely calculated by a digital computer and drawn by a plotter. The show consisted of 28 drawings framed and displayed on the wall; a Benson 1286 drawing machine (plotter) and its magnetic tape drive installed at the museum; a large white panel, a sort of guest book, where visitors could write comments of whatever they wished to say.
Catalog printed for this occasion containts texts by three authors and all 28 drawings from the show.
ARC – Musée d’Art Moderne de la Ville de Paris, 11 May – 6 June 1971
48 pages
Curtis Roads, et al: The Computer Music Tutorial (1996–) [English, French]
Filed under book | Tags: · algorithm, computer music, music, music theory, sound recording, sound synthesis

“The Computer Music Tutorial is a comprehensive text and reference that covers all aspects of computer music, including digital audio, synthesis techniques, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, synthesizer architecture, system interconnection, and psychoacoustics. A special effort has been made to impart an appreciation for the rich history behind current activities in the field.
Profusely illustrated and exhaustively referenced and cross-referenced, The Computer Music Tutorial provides a step-by-step introduction to the entire field of computer music techniques. Written for nontechnical as well as technical readers, it uses hundreds of charts, diagrams, screen images, and photographs as well as clear explanations to present basic concepts and terms. Mathematical notation and program code examples are used only when absolutely necessary. Explanations are not tied to any specific software or hardware.”
Publisher MIT Press, 1996
ISBN 0262680823, 9780262680820
xx+1234 pages
Reviews: Sam Reese (Bulletin of the Council for Research in Music Education, 1997), Douglas Geers (Current Musicology, 2001), Gregory Taylor (Cycling ’74, 2016).
The Computer Music Tutorial (English, DJVU, 22 MB, updated on 2021-4-8)
L’audionumérique: musique et informatique (French, trans. Jean de Reydellet, 3rd ed., 1999/2016, 15 MB, added on 2021-4-8)
Corrections and revisions (added on 2017-11-20, updated on 2021-4-8)
Constant (eds.): Tracks in Electr(on)ic Fields (2009) [English/French/Dutch]
Filed under book | Tags: · design, floss, graphic design, internet, online video, open source, privacy, software, surveillance, web 2.0

Publication contains texts and images from Verbindingen/Jonctions 10: Tracks in electr(on)ic fields festival, organised by Constant VZW in Brussels in 2007. Its design by OSPublish won a 2009 Fernand Baudin prize.
Edited by Constant featuring Clementine Delahaut, Laurence Rassel and Emma Sidgwick
Publisher Constant, Association for Art and Media, Brussels, 2009
Free Art Licence
332 pages
PDF, PDF (74 MB)
Source files