Klara Kemp-Welch: Networking the Bloc: Experimental Art in Eastern Europe 1965-1981 (2018)

“Throughout the 1970s, a network of artists emerged to bridge the East-West divide, and the no less rigid divides between the countries of the Eastern bloc. Originating with a series of creative initiatives by artists, art historians, and critics and centered in places like Budapest, Poznań, and Prague, this experimental dialogue involved Western participation but is today largely forgotten in the West. In Networking the Bloc, Klara Kemp-Welch vividly recaptures this lost chapter of art history, documenting an elaborate web of artistic connectivity that came about through a series of personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Countering the conventional Cold War narrative of Eastern bloc isolation, Kemp-Welch shows how artistic ideas were relayed among like-minded artists across ideological boundaries and national frontiers.

Much of the work created was collaborative, and personal encounters were at its heart. Drawing on archival documents and interviews with participants, Kemp-Welch focuses on the exchanges and projects themselves rather than the personalities involved. Each of the projects she examines relied for its realization on a network of contributors. She looks first at the mobilization of the network, from 1964 to 1972, exploring five pioneering cases: a friendship between a Slovak artist and a French critic, an artistic credo, an exhibition, a conceptual proposition, and a book. She then charts a series of way stations for experimental art from the Soviet bloc between 1972 and 1976—points of distribution between studios, private homes, galleries, and certain cities. Finally, she investigates convergences—a succession of shared exhibitions and events in the second half of the 1970s in locations ranging from Prague to Milan to Moscow. Networking the Bloc, Kemp-Welch invites us to rethink the art of the late Cold War period from Eastern European perspectives.”

Publisher MIT Press, 2018
ISBN 9780262038300, 0262038307
xi+468 pages

Reviews: Cristian Nae (ARTMargins, 2019), Denisa Tomkova (H-Net, 2020), Henry Meyric Hughes (Critique d’art, 2020).

Publisher
WorldCat

PDF (17 MB)

Warren Sack: The Software Arts (2019)

“In The Software Arts, Warren Sack offers an alternative history of computing that places the arts at the very center of software’s evolution. Tracing the origins of software to eighteenth-century French encyclopedists’ step-by-step descriptions of how things were made in the workshops of artists and artisans, Sack shows that programming languages are the offspring of an effort to describe the mechanical arts in the language of the liberal arts.

Sack offers a reading of the texts of computing—code, algorithms, and technical papers—that emphasizes continuity between prose and programs. He translates concepts and categories from the liberal and mechanical arts—including logic, rhetoric, grammar, learning, algorithm, language, and simulation—into terms of computer science and then considers their further translation into popular culture, where they circulate as forms of digital life. He considers, among other topics, the “arithmetization” of knowledge that presaged digitization; today’s multitude of logics; the history of demonstration, from deduction to newer forms of persuasion; and the post-Chomsky absence of meaning in grammar. With The Software Arts, Sack invites artists and humanists to see how their ideas are at the root of software and invites computer scientists to envision themselves as artists and humanists.”

Publisher MIT Press, 2019
ISBN 9780262039703, 0262039702
xx+375 pages

Publisher
WorldCat

PDF (19 MB)

Recherches, 12: Trois milliards de pervers: Grande encyclopédie des homosexualités (1973) [FR, EN]

“‘Trois milliards de pervers: Grande encyclopédie des homosexualités’ [Three Billion Perverts: The Big Encyclopedia of Homosexualities] is the title of the twelfth issue of the journal Recherches, founded in 1965 by Félix Guattari. Published in March 1973, this issue caused a scandal, proclaiming the irruption of homosexuality in French society. Very quickly banned, seized, and destroyed for breach of moral standards, it became a milestone in the history of homosexual struggles. Recently reprinted, this publication is at once an historical document and an element of reflection for contemporary struggles for emancipation, shedding light on what could be a homosexual affirmation conceived as a radical break with the normative structures running through the social space.

Combining testimonies, original texts, and interviews; articulating social criticism, literature, philosophy, and psychoanalysis; across spaces as diverse as cafés, political meetings, prisons, asylums, parks, and urinals; and bringing together contributions from such figures as Gilles Deleuze, Fanny Deleuze, Michel Foucault, Jean Genet, Felix Guattari, Daniel Guérin, Guy Hocquenghem, Jean-Jacques Lebel, the actor Marie-France, Vera Memmi, Jean-Paul Sartre, and Jozy Thibaut, ‘Trois milliards de pervers’ takes the form of a collective of homosexuals reflecting on the come-on, masturbation, transvestites, scouting, and militant movements, in order to call into question all forms of desiring-production. As such, this publication set out to establish an entirely ‘new scientific spirit.'” (Source)

Publisher Recherches, Paris, Mar 1973
216+[8] pages

Reviews: Le Nouvel Observateur (1973), Les cahiers du GRIF (1974).

Publisher
WorldCat

PDF (17 MB)
HTML, PDF (English trans. of Foucault’s Testimony at the Trial of Félix Guattari, in 1974, after the publication was seized; and “La Femme de Drague”, a conversation between seven women addressing the social and affective economy of seduction, trans. Gila Walker, Glass Bead, 2019)