Andreas Killen: Berlin Electropolis: Shock, Nerves, and German Modernity (2006)

29 June 2013, dusan

Berlin Electropolis ties the German discourse on nervousness in the late nineteenth and early twentieth centuries to Berlin’s transformation into a capital of the second industrial revolution. Focusing on three key groups—railway personnel, soldiers, and telephone operators—Andreas Killen traces the emergence in the 1880s and then later decline of the belief that modernity caused nervous illness. During this period, Killen explains, Berlin became arguably the most advanced metropolis in Europe. A host of changes, many associated with breakthroughs in technologies of transportation, communication, and leisure, combined to radically alter the shape and tempo of everyday life in Berlin. The resulting consciousness of accelerated social change and the shocks and afflictions that accompanied it found their consummate expression in the discourse about nervousness.”

Wonderfully researched and clearly written, this book offers a wealth of new insights into the nature of the modern metropolis, the psychological aftermath of World War I, and the operations of the German welfare state. Killen also explores cultural attitudes toward electricity, the evolution of psychiatric thought and practice, and the status of women workers in Germany’s rapidly industrializing economy. Ultimately, he argues that the backlash against the welfare state that occurred during the late Weimar Republic brought about the final decoupling of modernity and nervous illness.

Publisher University of California Press, 2006
Weimar and Now: German Cultural Criticism, Volume 38
ISBN 0520931637, 9780520931633
303 pages

review (Eric J. Engstrom, H-German)
review (Harry Oosterhuis, History of Psychiatry)

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Stephen Toulmin: Cosmopolis: The Hidden Agenda of Modernity (1990/1992)

6 November 2012, dusan

In the seventeenth century, a vision arose which was to captivate the Western imagination for the next three hundred years: the vision of Cosmopolis, a society as rationally ordered as the Newtonian view of nature. While fueling extraordinary advances in all fields of human endeavor, this vision perpetuated a hidden yet persistent agenda: the delusion that human nature and society could be fitted into precise and manageable rational categories. Stephen Toulmin confronts that agenda—its illusions and its consequences for our present and future world.

Originally published by Free Press, New York, a division of Macmillan, 1990
Publisher University of Chicago Press, 1992
ISBN 0226808386, 9780226808383
240 pages

review (Quentin Skinner, The New York Review of Books)

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Pasi Väliaho: Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900 (2010)

2 January 2011, dusan

“In Mapping the Moving Image, Pasi Väliaho offers a compelling study of how the medium of film came to shape our experience and thinking of the world and ourselves. By locating the moving image in new ways of seeing and saying as manifest in the arts, science and philosophy at the turn of the twentieth century, the book redefines the cinema as one of the most important anthropological processes of modernity. Moving beyond the typical understanding of cinema based on optical and linguistic models, Mapping the Moving Image takes the notion of rhythm as its cue in conceptualizing the medium’s morphogenetic potentialities to generate affectivity, behaviour, and logics of sense. It provides a clear picture of how the forms of early film, while mobilizing bodily gestures and demanding intimate, affective engagement from the viewer, emerged in relation to bio-political investments in the body. The book also charts from a fresh perspective how the new gestural dynamics and visuality of the moving image fed into our thinking of time, memory and the unconscious.”

Publisher Amsterdam University Press, Amsterdam, 2010
Film Culture in Transition series
ISBN 9089641408, 9789089641403
256 pages

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