Filed under book | Tags: · 1920s, 1930s, art, bauhaus, photography, typography
“These five hundred photographs are a record of Bauhaus activities and experiments during the 1920s and early 1930s. Most of the photographs were taken by artists-painters like Fritz Kuhr and Werner Siedhoff, designers Heinz Loew and Herbert Bayer, Bauhaus masters Hannes Meyer and Joosst Schmidt – who were not self-conscious photographers but who wanted to work with a new technology.
The book supplements visual material already published in Hans Wingler’s monumental Bauhaus and presents the school’s more human side. Some of these photographs have never been published before, while others have not been published since the period in which they were made.
Part I consists of over 100 ‘artistic’ images, a listing of Bauhaus photography exhibits, an example of a Dessau Bauhaus lesson plan, including photography, and essays on various aspects of photography by Peterhans, Moholy, Vordemberge-Gildewart, Ernst Kallai, Fritz Kuhr, Willi Baumeister, Adolf Behne, Max Burchartz, Will Grohmann, and Ludwig Kassack. There is also a section on the use of photography with typography.
Part II is a Bauhaus album – nearly 400 illustrations of applied photography documenting the Bauhaus buildings, classroom projects, or day-today activities of students and faculty.”
First published as Bauhaus Fotografie, Marzona, Düsseldorf, 1982
Edited by Egidio Marzona and Roswitha Fricke
Translated by Harvey Mendelsohn and Frederick Samson
Foreword by Eugene Prakapas
Publisher MIT Press, 1985
ISBN 0262132028, 9780262132022
Review: Clark V. Poling (Design Issues, 1986).
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Filed under book | Tags: · 1920s, architecture, art history, avant-garde, cultural history, modernism, urbanism, weimar republic, wroclaw
“Although the Breslau arts scene was one of the most vibrant in all of Weimar-era Germany, it has largely disappeared from memory. Studies of the influence of Weimar culture on modernism have focused almost exclusively on Berlin and the Dessau Bauhaus, yet the advances that occurred in Breslau affected nearly every intellectual field, forming the basis for aesthetic modernism internationally and having an enduring impact on visual art and architecture. Breslau boasted a thriving modern arts scene and one of the premier German arts academies of the day until the Nazis began their assault on so-called degenerate art. This book charts the cultural production of Breslau-based artists, architects, art collectors, urban designers, and arts educators who operated in the margins of Weimar-era cultural debates. Rather than accepting the radical position of the German avant-garde or the reactionary position of German conservatives, many Breslauers sought a middle ground.
This richly illustrated volume is the first book in English to address this history, constituting an invaluable addition to the literature on the Weimar period. Its readership includes scholars of German history, art, architecture, urban design, planning, collecting, and exhibition history; of the avant-garde, and of the development of arts academies and arts pedagogy.”
Publisher University of Michigan Press, 2016
Social History, Popular Culture, and Politics in Germany series
Creative Commons BY-NC-ND 4.0
ISBN 0472119907, 9780472119905
Filed under book | Tags: · 1920s, 1930s, austria, city, communism, labour, marxism, politics, socialism, urbanism, vienna
“From 1919 to 1934, the Socialist government in Vienna sought to create a comprehensive working-class culture, striving to provide a foretaste of the socialist utopia in the present. In Red Vienna, Gruber critically examines the impact of this experiment in all areas of life, from massive public housing projects and health and education programs to socialist parades, festivals, and sporting events designed to create a ‘new’ working class.”
Publisher Oxford University Press, 1991
ISBN 0195069145, 9780195069143
Reviews: Mark Emanuel Blum (Central European History, 1992), George V. Strong (History of European Ideas, 1993), William D. Bowman (Journal of Social History, 1993), Alfred Diamant (American Historical Review, 1993), J. Robert Wegs (Austrian History Yearbook, 1993), Karen J. Vogel (American Political Science Review, 1993), Albert Lindemann (International Labor and Working-Class History, 1993).
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