Alternatives in Retrospect: An Historical Overview 1969-1975 (1981)

29 December 2018, dusan

“An examination of the activities and influence of seven ‘alternative spaces’ active in New York City from the late-1960s to mid-1970s, including Gain Ground, Apple, 98 Green Street, 112 Green Street Workshop, 10 Bleecker Street, Idea Warehouse, and 3 Mercer. Most of them received little outside or institutional funding and all reflect the changing definition of “alternative space” over the decade. Preface by Marcia Tucker, with introduction by Jacki Apple, and essay by Mary Delahoyd. Includes Directors’ and artists’ statements. Published on occasion of the exhibition Alternatives in Retrospect: An Historical Overview 1969-1975.

Publisher New Museum of Contemporary Art, New York, 1981
LCCN 8181185
52 pages

Exhibition
Publisher
WorldCat

PDF, PDF (38 MB)

Thurston Moore, Byron Coley: No Wave: Post-Punk, Underground, New York, 1976-1980 (2008)

16 July 2017, dusan

“A visual chronicle of the collision of art and punk in the New York underground of 1976 to 1980. This look at punk rock, new wave, experimental music, and the avant-garde art movement of the 1970s and 1980s focuses on the architects of No Wave from James Chance to Lydia Lunch to Glenn Branca, as well as the luminaries that intersected the scene, such as David Byrne, Debbie Harry, Brian Eno, Iggy Pop, and Richard Hell.

This rarely documented scene was the creative stomping ground of young artists and filmmakers from Jean-Michel Basquiat to Jim Jarmusch as well as the musical genesis for the post-punk explosions of Sonic Youth. Thurston Moore and Byron Coley have selected 150 images and compiled personal interviews to create an oral history of the movement.”

Publisher Abrams Image, New York, 2008
ISBN 9780810995437, 0810995433
143 pages

WorldCat

PDF (65 MB, no OCR)

Kasper Opstrup: The Way Out: Invisible Insurrections and Radical Imaginaries in the UK Underground, 1961-1991 (2017)

22 June 2017, dusan

“A counterculture history of art and experimental politics that turns the world inside out

The Way Out examines the radical political and hedonist imaginaries of the experimental fringes of the UK Underground from 1961 to 1991. By examining the relations between collective and collaborative practices with an explicit agenda of cultural revolution, Kasper Opstrup charts a hidden history of experiments with cultural engineering, expanding current discussions of art, medias, politics, radical education and the occult revival. Even though the theatres of operation have changed with the rise of the Internet and a globalised finance economy, these imaginaries still raise questions that speak directly to the present.

Here we encounter a series of figures – including Alexander Trocchi, R. D. Laing, Joseph Berke, Brion Gysin, William Burroughs and Genesis P-Orridge – that blurred the lines between inner and outer, the invisible and the material. Four singular forms of speculative techniques for igniting an invisible insurrection with cultural means make up the central case studies: the sigma project, London Anti-University, Academy 23 and thee Temple ov Psychick Youth.

Contained within these imaginaries is a new type of action university: a communal affair that would improvise a new type of social relation into existence by de-programming and de-conditioning us without any blueprints for the future besides to make it happen. Instead of being turned upside down, the world was to be changed from the inside out.”

Publisher Minor Compositions, Wivenhoe, 2017
ISBN 9781570273285
252 pages

Publisher

PDF, PDF
Scribd