Filed under book | Tags: · activism, aesthetics, architecture, art criticism, art history, avant-garde, film, intermedia, literature, music, performance, photography, theatre
“This book is premised on the view that the idea of the avant garde has an increased importance in these times of global political crisis. Much cultural production today is shaped by a biopolitics that construes all creative and knowledge production in terms of capital accumulation. A different kind of culture is possible. This collection of writings, essays, interviews and artworks by many of today’s most radical cultural practitioners and astute commentators on matters avant garde mediates the different strategies and temporalities of avant-garde art and politics. Tracing diverse genealogies and trajectories, the book offers an inter-generational forum of ideas that covers different arts fields, from visual art, art activism, photography, film and architecture, to literature, theatre, performance, intermedia and music.”
Texts by Marc James Léger, Adrian Piper, Andrea Fraser, David Tomas, Catherine Lescarbeau, Hal Foster, Laura Mulvey, Bruce LaBruce, Santiago Sierra, Derek Horton, Christine Wertheim, Lyn Hejinian, Marjorie Perloff, Wu Ming 2, Nikolaus Müller-Schöll, Rabih Mroué, Judith Malina, Moe Angelos, Bill Brown, The Errorist International, Jonas Mekas, Thomas Elsaesser, Alexander Kluge and Oskar Negt, Travis Wilkerson, Evan Mauro, Mikkel Bolt Rasmussen, Gene Ray, John Roberts, Zanny Begg and Dmitry Vilensky, Owen Hatherley, Michael Webb, Mitchell Joachim, Beatriz Colomina, Boris Groys, Vitaly Komar, Victor Tupitsyn, Gregory Sholette and Krzysztof Wodiczko, Critical Art Ensemble, BAVO, Alexei Monroe, Jean-Hervé Péron, Chris Cutler, Charles Gaines, Jason Robinson, Sara Marcus, Cosey Fanni Tutti, Thanos Chrysakis, Kim Cascone, Marc Couroux, Thérèse Mastroiacovo, Chrysi Papaioannou, and Bill Dane.
Publisher Manchester University Press, Manchester, with Left Curve, Oakland, CA, 2014
ISBN 9780719096914, 071909691X
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Filed under journal | Tags: · activism, aesthetics, art, art criticism, climate change, contemporary art, earth, ecology, environment, oil, politics, postcolonialism, visual culture
“This special issue of Third Text investigates the intersection of art criticism, politico-ecological theory, environmental activism and postcolonial globalization. The focus is on practices and discourses of eco-aesthetics that have emerged in recent years in geopolitical areas as diverse as the Arctic, Nigeria, Bangladesh, Indonesia, Europe and Mexico. The numerous contributors address new aesthetic strategies through which current ecological emergencies – including but not limited to the multifaceted crisis of climate change – have found resonance and creative response in artistic practice and more broadly in visual culture.” (from the Introduction)
With contributions by Christoph Brunner, Roberto Nigro, Gerald Raunig, Jessica L Horton, Janet Catherine Berlo, Jimmie Durham, Subhankar Banerjee, Nabil Ahmed, Berin Golonu, Basil Sunday Nnamdi, Obari Gomba, Frank Ugiomoh, Ursula Biemann, Peter Mörtenböck, Helge Mooshammer, Patrick D Flores, Raqs Media Collective, Luke Skrebowski, Emily Apter, Steven Lam, Gabi Ngcobo, Jack Persekian, Nato Thompson, Anne Sophie Witzke, Liberate Tate, TJ Demos, Eduardo Abaroa and Minerva Cuevas.
Guest editor: TJ Demos
Publisher Third Text, London, January 2013
Filed under book | Tags: · activism, aesthetics, art, contemporary art
“Contemporary art seems to be caught in the blackmail typical for this self-acclaimed age of the End of History. On the one hand, the artist is elevated into ‘the One’ who relentlessly confronts society with its shortcomings and uses his creative intelligence to dream up new ideals. At the same time however, s/he is constantly reminded that this critical and utopian activity should remain ‘constructive’ – a coded way of saying that it should not fundamentally question the triumphant onward march of representative democracy and the free market. No wonder that art today threatens to be reduced to a purely empty exercise that, as Fukuyama claims, offers the last men an escape from their petty bourgeois existence.
The central question of Cultural Activism Today. The Art of Over-Identification is whether, and how, art can escape this suffocating situation. This volume argues that the key to a way out of the trap of the End of History lies in the strategy of over-identification. Instead of succumbing to society’s pathetic demand for small creative acts, artists should over-identify with the ruling, post-historical order and take the latter’s immanent laws to their most extreme, dystopian consequences.
By ruthlessly closing off any space for creative, utopian thinking – which today is nothing but a farce anyway – it should confront society with its own closure. This strategy of over-identification is assessed in essays by Boris Groys, Alexei Monroe, Dieter Lesage, Benda Hofmeyr and BAVO.”
Publisher episode publishers, Rotterdam, 2007
ISBN 9059730615, 9789059730618
Review (Eva Fotiadi, OPEN)
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