Filed under book | Tags: · aesthetics, art, artists writing, film
“Jalal Toufic is a thinker whose influence in the Beirut artistic community over the past two decades has been immense—notwithstanding that, as he put it, many, if not all of his books, most of which were published by Forthcoming Books, ‘continue to be forthcoming even after their publication.’ In relation to one of these books, he wondered: ‘Does not a book titled Forthcoming suggest, ostensibly paradoxically, a second edition?’ Here’s the revised edition of Forthcoming, a book first published nearly a decade and a half ago by Atelos press.” (Series editors Julieta Aranda, Brian Kuan Wood, Anton Vidokle)
“I once wrote, ‘I am not able to find my thoughts without passing through his [Jalal Toufic’s] words, books, and concepts.’ Now, eight years later, things seem to have gotten worse (or better). Jalal wrote in Distracted: ‘— Are you saying this to me? — Also to myself. One should speak solely when also speaking to oneself. Only then is there a dialogue.’ I can also think of the following situation: ‘— Are you saying this to me? — Yes. And not to myself. And only to you.’ Or an instance in which the following is heard: ‘— Are you saying this to me? — Also to myself. One should speak solely when also speaking to oneself. Only then is there a duologue.’” (Walid Raad)
First published by Atelos, Berkeley, CA, 2000.
Publisher Sternberg, Berlin, 2014
e-flux journal series
ISBN 9783956790553, 3956790553
Filed under book | Tags: · aesthetics, anarchism, art, art system, black lives matter, commons, contemporary art, debt, direct action, gentrification, housing, new york, occupy movement, precarity, protest, situationists, social movements, spectacle
“The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond
What is the relation of art to the practice of radical politics today? Strike Art explores this question through the historical lens of Occupy, an event that had artists at its core. Precarious, indebted, and radicalized, artists redirected their creativity from servicing the artworld into an expanded field of organizing in order to construct of a new—if internally fraught—political imaginary set off against the common enemy of the 1%. In the process, they called the bluff of a contemporary art system torn between ideals of radical critique, on the one hand, and an increasing proximity to Wall Street on the other—oftentimes directly targeting major art institutions themselves as sites of action.
Tracking the work of groups including MTL, Not an Alternative, the Illuminator, the Rolling Jubilee, and G.U.L.F, Strike Art shows how Occupy ushered in a new era of artistically-oriented direct action that continues to ramify far beyond the initial act of occupation itself into ongoing struggles surrounding labor, debt, and climate justice, concluding with a consideration of the overlaps between such work and the aesthetic practices of the Black Lives Matter movement.
Art after Occupy, McKee suggests, contains great potentials of imagination and action for a renewed left project that are still only beginning to ripen, at once shaking up and taking flight from the art system as we know it.”
Publisher Verso Books, London and New York, 2016
ISBN 9781784781880, 1784781886
Reviews: Marc James Léger (Marx & Philosophy, 2016), Philipp Kleinmichel (Radical Philosophy, 2018), Paloma Checa-Gismero (Field, 2016), John Ayscough (Visual Culture in Britain, 2017), Kristin Gecan (Chicago Review, 2016).
Discussion: Gregory Sholette, a.o. (e-flux supercommunity, 2016).
EPUB (6 MB)Comment (0)
Filed under proceedings | Tags: · aesthetics, diy, gender, music criticism, music history, punk, rock, underground
Proceedings from a series of conferences, Keep it Simple, Make it Fast! (KISMIF), held in Porto and dedicated to the analysis of punk manifestations in Portugal and elsewhere since the 1970s.
Edited by Paula Guerra (1-4), Tânia Moreira (1-3) and Thiago Pereira Alberto (4)
Publisher Universidade do Porto, Porto, 2015, 2016, 2017, 2019
ISBN 9789898648495 (vol 1), 9789898648631 (vol 2), 9789898648884 (vol 3), 9789895417919 (vol 4)
584, 297, 288, 592 pages
Conf. review: Christine Feldman-Barrett (Volume!, 2016).Comments (7)