Filed under book | Tags: · africa, african american culture, black people, blackness, ethnomusicology, gender, hip hop, identity, immigration, music, race, rap, soviet union, uganda, ukraine
“In Hip Hop Ukraine, we enter a world of urban music and dance competitions, hip hop parties, and recording studio culture to explore unique sites of interracial encounters among African students, African immigrants, and local populations in eastern Ukraine. Adriana N. Helbig combines ethnographic research with music, media, and policy analysis to examine how localized forms of hip hop create social and political spaces where an interracial youth culture can speak to issues of human rights and racial equality. She maps the complex trajectories of musical influence—African, Soviet, American—to show how hip hop has become a site of social protest in post-socialist society and a vehicle for social change.”
Publisher Indiana University Press, Bloomington, IN, 2014
ISBN 9780253012043, 025301204X
Interview with author: Amanda Jeanne Swain (New Books Network, 2014, podcast).
Reviews: Kevin C. Holt (Current Musicology, 2014), Michael C. Thornton (Slavonic and East European Review, 2015), Mark Alan Rhodes II (Social & Cultural Geography, 2015), Anna Oldfield (Popular Music and Society, 2015), Tony Mitchell (Slavic Review, 2016), Kendra Salois (Ethnomusicology, 2017).
Filed under book | Tags: · africa, art, black people, caribbean, diaspora, film, literature, music, négritude, pan-africanism, poetry
“Festac ’77, also known as the Second World Black and African Festival of Arts and Culture (the first was in Dakar, 1966), was a major international festival held in Lagos, Nigeria, from 15 January 1977 to 12 February 1977. The month-long event celebrated African culture and showcased to the world African music, fine art, literature, drama, dance and religion. About 16,000 participants, representing 56 African nations and countries of the African Diaspora, performed at the event.
Artists who performed at the festival included Stevie Wonder from United States, Gilberto Gil from Brazil, Bembeya Jazz National from Guinea, Mighty Sparrow from Trinidad and Tobago, Les Ballets Africains, South African Miriam Makeba, and Franco Luambo Makiadi. At the time it was held, it was the largest pan-African gathering to ever take place.” (Wikipedia)
Publisher Africa Journal Limited, London, and International Festival Committee, Lagos, 1977
via Abdul Alkalimat
Film documentary (UNESCO, 1977, 26 MB)
Commentary: Arthur Monroe (Black Scholar, 1977), Iris Kay (African Arts, 1977), J. Southern (Black Perspective in Music, 1977), Moyibi Amoda (book-length evaluation, 1978, 80 MB).
PDF (134 MB)Comment (0)
Filed under magazine | Tags: · africa, art, art criticism, art history, colonialism, contemporary art, decolonization, diaspora, migration, postcolonialism
“Contemporary And (C&) is an online art magazine and a dynamic space for the reflection on and linking together of ideas, discourse and information on contemporary art practice from diverse African perspectives.”
Edited by Julia Grosse, Yvette Mutumba, Will Furtado, a.o.
Publisher Contemporary And (C&) & Institut für Auslandsbeziehungen (ifa), Stuttgart
HTML (online platform)
PDFs (print issues):
Issue 1: Dak’Art 14 (Dakar Biennale Special) (Apr 2014)
Issue 2: Kampala Focus (Sep 2014)
Issue 3: Focus Migration (Jun 2015)
Issue 4: Focus Bamako (10th Bamako Encounters – African Biennale of Photography Special) (English/French, Sep 2015)
Issue 5: The Interview Issue (Feb 2016)
Issue 6: Afro-Brazilian Perspectives (32nd Bienal de São Paulo Special) (Sep 2016)
Issue 7: Curriculum of Connections (documenta 14 Special) (Jun 2017)
Special Edition: #Nairobi (Sep 2017)
Issue 8: Conditions (Art Scene Cameroon Special) (Dec 2017)
Issue 9: You Are Already in it: Looking at a Global Diaspora (10th Berlin Biennale Special) (Jun 2018)