Filed under book | Tags: · architecture, chicago, city, geography, politics, space, urbanism
“Initiated in 2015 as a print and online magazine, The Funambulist does not understand architecture as the authored design of inhabitable sculptures, but rather as the discipline that organizes bodies in space. With such a perspective, we have attempted to detach ourselves from architecture as a discipline and have focused instead on formulating spatial approaches to anti-colonial, anti-racist, anti-capitalist, queer, trans, feminist, anti-ableist political struggles and that against which they fight.
For this book commissionned by the Chicago Architecture Biennial 2019, we have invited 20 regular readers (many of whom are also contributors) of The Funambulist to pick, among the many texts we published in our 22 first issues, the one that appeared to them as the most politically useful. We are republishing these texts here, as well as their introductions, written by these 20 guests.
In addition to this, we asked five Chicago-based activists to write about the spatial politics of their city in relation to settler colonialism, the municipality, the police, the real estate pressure, as well as the school system. At a crucial moment following the change of administration, this appeared to us as the most politically useful thing we could do to propagate the voices of those active on the ground.”
Edited by Léopold Lambert, et al.
Publisher The Funambulist, Paris, Sep 2019
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Filed under book, catalogue | Tags: · architecture, borders, commons, decolonization, exile, hospitality, palestine, participation, politics, refugees
“Since their first work, Stateless Nation at the Venice Biennial in 2003, and throughout their more recent architectural interventions in refugee camps, the artistic practice of Sandi Hilal and Alessandro Petti has explored and acted within and against the condition of permanent temporariness that permeates contemporary forms of life. In their ambitious research and project-based practice, art exhibitions are both sites of display and sites of action that spill over into other contexts: built architectural structures, the shaping of critical learning environments, interventions that challenge dominant collective narratives, the production of new political imaginations, the re-definition of words, and the formation of civic spaces.
This book is organized around fourteen concepts that activate seventeen different projects. Each project is the result of a larger process of collaboration and is accompanied by individual and collective texts and interviews that contextualize and expand the reach of every intervention.
Contributors to projects and texts include Maria Nadotti, Charles Esche, Robert Latham, Salwa Mikdadi, Eyal Weizman, Okwui Enwezor, Munir Fasheh, Grupo Contrafilé, Murad Odeh, and Rana Abughannam.”
Publisher Art and Theory Publishing, Stockholm, and Royal Institute of Art, Stockholm, 2018
ISBN 9789188031709, 9188031705
Filed under book | Tags: · anthropology, architecture, forensics, human rights, israel, law, palestine, politics, violence, war
“In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN.
Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing.
In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed.
Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere.
Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.”
Publisher Zone Books, New York, 2017
ISBN 9781935408864, 1935408860
Reviews: Regine Debatty (We Make Money Not Art, 2017), Adam Rothstein (New Scientist, 2017), Sława Harasymowicz (Journal of Visual Culture, 2017), David Huber (Artforum, 2017), Joseph Confavreux (Mediapart, 2017, FR), Felix Bazalgette (New York Review of Books, 2018), Martina Tazzioli (Radical Philosophy, 2018), Noah Chasin (Springerin, 2018), Bernard Hay (Review 31, 2018), Anna Altman (n+1, 2018), Viktoriya Yeretska (BauNetz, 2017, DE), Erick Villagomez (Spacing, 2017), Andreas Petrossiants (Brooklyn Rail, 2018).
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