TkH, 23: The Commons / Undercommons in Art, Education, Work … (2016)

5 June 2019, dusan

“The fifteen pieces in this issue are the result of a somewhat peculiar endeavor. Between May 29 and June 1, 2014, we held a conference at Frankfurt Lab under the title of The Public Commons and the Undercommons of Art, Education, and Labour. Its title reflected our concerns about diagnosing the current predicament of higher education in the arts and humanities, artistic production, and cultural work. To summarize briefly, two turns have lately merged that characterize the transformation of work, knowledge, and subjectivation processes across the arts field and the Academy: the educational and the curatorial turn. While the educational turn has yielded a new academic (professional) valorization of artistic praxis (in the so-called creative or practice-based PhDs), coupled with a proliferation of degrees and a prolongation of financialized, debt-stricken study (also as a temporary deferral or relief from the market and its projective temporality), the curatorial turn has corresponded to a neoliberal style of managing both art and education, reducing time and attention, critical and transformative (poetic) engagements with one’s own art and study.” (from the Introduction)

With contributions by Harutyun Alpetyan, Gigi Argiropoulou, Stefano Harney, Gal Kirn, Boyan Manchev, Randy Martin, Fred Moten, Isabel de Naverán, Norbert Pape, Nina Power, Goran Sergej Pristaš, Jason Read, Jan Ritsema, Ana Vujanović, and Josefine Wikström.

Edited by Bojana Cvejić, Bojana Kunst, and Stefan Hölscher
Publisher TkH (Walking Theory), Belgrade, and Institute for Applied Theatre Science, Justus Liebig University, Giessen, April 2016
Creative Commons BY-NC-SA 3.0 Serbia License
ISSN 1451-0707
72 pages

Publisher

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A Wild Ass Beyond: ApocalypseRN (2018)

13 May 2019, dusan

“‘Everyone contains a history of contamination; purity is not an option.’

In the event of disaster, we, the people who have always been surviving, will simply continue to survive. We have learned skills you wouldn’t believe, enduring under police states. We refine trauma into gold and use exile as jet propellant.

Yet we lack a vision of our lives past survival. What will we do when we head “back to the land” that was never ours? We do not see ourselves in the paranoiac manuals of preppers, in minimalist lifestyle retreats, in the nativist isolationism of militiamen.

We do not want to repeat these dreams of being the center, forever tyrants over little kingdoms. In this beyond, we will contaminate one another. We first learn from the past, building lookouts to keep our homes from burning.

We then seek an unruly communion. New languages, icons, guides, rituals, spun and fired beneath a twilight canopy of fungi. We claim a gorgeous, baroque maximalism, a future that sounds, looks, and feels like our innermost thoughts.”

Made by American Artist, Caitlin Cherry, Nora N. Khan and Sondra Perry
Published in New York, October 2018
[24] pages

Exh. reviews: Alex A. Jones (The Brooklyn Rail, 2018), Che Gosseett (The Brooklyn Rail, 2018).

Exhibition
Author
Author

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Unbag, 1-3 (2017-2018)

13 May 2019, dusan

unbag is a semi-annual magazine that promotes critical engagement with contemporary art and politics. Commissioning artists, writers, and thinkers who work outside of mainstream discourses, unbag functions as a space to explore ideas through discussion and exchange.”

Edited by American Artist (1), Aaron Cooper (1-3), Andy Wentz (1), Charlie Markbreiter (2), Natalia Tuero Germán (2-3), and Mylo Mendez (3)
Publisher unbag, New York, 2017-2018
ISSN 2572-2786
c.98 pages per issue

Issue 1: Metis (May 2017, HTML)
Issue 2: End (Jan 2018, HTML)
Issue 3: Reverie (Sep 2018, HTML)