Katalin Cseh-Varga, Adam Czirak (eds.): Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe (2018)
Filed under book | Tags: · art history, body art, communism, east-central europe, eastern europe, happening, performance, performance art, public sphere, socialist realism, southeastern europe, theatre, underground
“Performance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular, critical roles that this work assumed under censorial circumstances.
The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.”
Contributors: Roddy Hunter, Miško Šuvaković, Dietmar Unterkofler, Ileana Pintilie, Cristian Nae, Andrej Mirčev, Andrea Bátorová, Berenika Szymanski-Düll, Kata Krasznahorkai, Laine Kristberga, Adam Czirak, Amy Bryzgel, Jasmina Tumbas, Beáta Hock, Angelika Richter, Maja Fowkes and Reuben Fowkes.
Publisher Routledge, London, 2018
ISBN 9781138723276, 1138723274
Izabel Galliera: Socially Engaged Art After Socialism: Art and Civil Society in Central and Eastern Europe (2017)
Filed under book | Tags: · art history, bulgaria, civil society, communism, contemporary art, east-central europe, eastern europe, hungary, participation, politics, romania, southeastern europe
“Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists’ initiatives in cities such as Sofia, Bucharest and Budapest.
Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.”
Publisher I.B. Tauris, London/New York, 2017
ISBN 9781784537135, 1784537136
Review: Denisa Tomkova (ARTMargins, 2018).Comment (0)
Filed under catalogue | Tags: · 1970s, alternative culture, art history, art system, new york
“An examination of the activities and influence of seven ‘alternative spaces’ active in New York City from the late-1960s to mid-1970s, including Gain Ground, Apple, 98 Green Street, 112 Green Street Workshop, 10 Bleecker Street, Idea Warehouse, and 3 Mercer. Most of them received little outside or institutional funding and all reflect the changing definition of “alternative space” over the decade. Preface by Marcia Tucker, with introduction by Jacki Apple, and essay by Mary Delahoyd. Includes Directors’ and artists’ statements. Published on occasion of the exhibition Alternatives in Retrospect: An Historical Overview 1969-1975. ”
Publisher New Museum of Contemporary Art, New York, 1981