Soundings (1981)

1 November 2018, dusan

An exhibition survey of visual artists’ use of sound, music and acoustical phenomena from 1900 through the 1980s staged at Neuberger Museum SUNY from 20 September-23 December 1981.

Artists include Robert Morris, Meredith Monk, Bernhard Leitner, John Cage, Laurie Anderson, Nam June Paik, and many others.

Essays by Suzanne Delehanty, Dore Ashton, Germano Celant and Lucy Fischer.

Edited by Suzanne Delehanty
Publisher Neuberger Museum/State University of New York, Purchase, NY, 1981
ISBN 093403205X, 9780934032056
96 pages

Exh. reviews: Vivien Raynor (New York Times, 1981), John Rockwell (New York Times, 1981), Robert Sherman (New York Times, 1981), Peter Frank (Art Journal, 1982).

WorldCat

PDF (26 MB)

Katsuhiro Yamaguchi: ロボット・アヴァンギャルド―20世紀芸術と機械 (Robot Avant-Garde: 20th Century Art and the Machine, 1985) [Japanese]

26 October 2018, dusan

A historical treatise on art and technology written by the Japanese pioneer of media art Katsuhiro Yamaguchi (山口勝弘, 1928-2018), a founding member of the avant-garde group Jikken Kōbō (Experimental Workshop, 1951-1957).

The Yamaguchi Katsuhiro Archive contains documentation of the artist’s oeuvre, including scans of his publications.

Publisher Parco, Tokyo, 1985
ISBN 4891940980, 9784891940980
257 pages
via Yamaguchi Katsuhiro Archive

PDF (80 MB)
DOCX

Pierre Francastel: Art & Technology in the Nineteenth and Twentieth Centuries (1956–) [ES, EN]

25 October 2018, dusan

“Although the work of Pierre Francastel (1900-1970) has long carried the label “sociology of art,” it bears little resemblance to anything conventionally sociological. Unlike the followers of the dominant schools of Anglo-American and German art history, Francastel was never obsessed with establishing a quasi-scientific methodology as the basis for his studies. But as art history itself is being reconfigured amid the technological culture of the twenty-first century, his nuanced meditations from the 1950s on the intricate intersection of technology and art gain heightened value.

The concrete objects Francastel examines are for the most part from the architecture and design of the late nineteenth to mid-twentieth century. Through them, he engages his central problem: the abrupt historical collision between traditional symbol activities of human society and the appearance in the nineteenth century of unprecedented technological and industrial capabilities and forms.”

First published as Art et technique aux XIXe et XXe siècles, Paris, 1956.

English edition
With a Foreword by Yve-Alain Bois
Translated by Randall Cherry
Publisher Zone Books, New York, 2000
ISBN 1890951021, 9781890951023
331 pages

Review: Sean Cubitt (Leonardo, 2001).

Publisher (EN)
WorldCat (EN)

Arte y técnica en los siglos XIX y XX (Spanish, trans. Maria Jose Garcia Ripoll, 1990, 22 MB, via)
Art & Technology in the Nineteenth and Twentieth Centuries (English, trans. Randall Cherry, 2000, 25 MB)