Suzanne Lacy (ed.): Mapping the Terrain: New Genre Public Art (1995)

22 November 2017, dusan

“Departing from the traditional definition of public art as sculpture in parks and plazas, new genre public art brings artists into direct engagement with audiences to deal with the compelling issues of our time. This is the first definitive collection of writings on the subject by critics, artists, and curators who are pioneers in the field. Includes essays by Judith Baca, Estella Conwill Májozo, Suzi Gablik, Guillermo Gomez-Pena, Mary Jane Jacob, Allen Kaprow, Jeff Kelley, Lucy Lippard, Patricia C. Phillips, and Arlene Raven.”

Publisher Bay Press, Seattle, 1995
ISBN 0941920305, 9780941920308
296 pages

Reviews: Kirkus Rev (1994), Gaye Green (Art J, 1999), Carole Gold Calo (Public Art Dialogue, 2012).
Commentary: Stephanie Smith (Afterall, 2011, PDF).

Editor
WorldCat

PDF (49 MB, updated on 2018-6-22)

Cosmic Shift: Russian Contemporary Art Writing (2017)

17 October 2017, dusan

“In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s various movements of contemporary art, culture, and theory, from communism, cosmism and conceptualism to past and future futures.

With contributions from Barte de Baere, Boris Groys, Ilya and Emilia Kabakov, Anton Vidokle, Bogdan Mamonov, Pavel Pepperstein, Dmitri Prigov and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vast and complex nation built on a contradicting dialectic between the material and the ideal and a culture battling its own histories and ideologies.”

Edited by Elena Zaytseva and Alex Anikina
Foreword by Bart De Baere
Publisher Zed Books, London, 2017
ISBN 9781786993243, 1786993244
xvii+516 pages

Publisher
WorldCat

HTML

Francis D. Klingender: Art and the Industrial Revolution (1947–) [EN, IT, ES]

17 August 2017, dusan

A classic of Marxist art history.

“Drawing on his unique command of the contemporary visual and literary record, Francis Klingender analyzes and documents the inter-reaction between the sociological, scientific and cultural changes that moulded the 19th century. His subjects range from the development of the railways to the poetry of Erasmus Darwin, from the construction of bridges and aqueducts to the aesthetic concepts of the Sublime and the Pictoresque, from the Luddite riots and the English ‘navvy’ to those artists most profoundly affected by the climate of the Industrial Revolution, among them John Martin, Joseph Wright of Derby, J.C. Bourne, and J.M.W. Turner.” (from back cover)

Publisher N. Carrington, London, 1947
Edited and revised by Arthur Elton
Revised and expanded edition by Adams & Dart, 1968
Publisher Paladin, St Albans, 1972
ISBN 0586081224, 9780586081228
xv+272 pages

Review: Fred H. Andrews (J Royal Society of Arts, 1949).

WorldCat

Art and the Industrial Revolution (English, 1947/1968, 60 MB, no OCR)
Arte e rivoluzione industriale (Italian, trans. Elena Einaudi, 1972)
Arte y revolución industrial (Spanish, trans. Pilar Salso, 1983)