André Malraux: The Voices of Silence (1951–)

“This is not a history of art, but a work on the sculptor’s and painter’s arts of the world by a passionate art lover. The organization is by ideas; the illustrations are drawn from all peoples, countries, and times. Each picture is placed within a page or two of its discussion in the text. As an idea develops, the places and periods of its illustrations wander. The coherence is an inward one, not one of objective order.

Malraux starts from the premise that with the broadening of our knowledge of the world, and especially by the aid of archeology and photography, the many visual arts developed by the human race in its history are now mainly known and accessible. They are as it were in one grand museum without walls–the museum of our cognizance.

Further, they are known to many creative artists, and will be known to more, and will influence them. In other words, the situation no longer exists which has characterized the appearance of most arts heretofore, namely of growing up insulated, in regional solitude and self-sufficiency. From now on, the history of human visual art will be of a new order.

Another idea Malraux develops is that while painting and sculpture do represent objects, the artist, contrary to legend and public opinion, develops his work out of his ability to see–not nature, but his predecessors, and to transcend them. Style is thus a social phenomenon, an interrelation of men through their works.” (from a review by A.L. Kroeber, American Anthropologist, 1957)

Originally published in 3 volumes as Psychologie de l’art, 1947-49, the work had been thoroughly rewritten and published as Les Voix du silence, Gallimard, 1951.

Translated by Stuart Gilbert
First published in English by Doubleday, 1953
Reprinted by Secker & Warburg, London, 1954, 661 pages
Publisher Paladin, UK, 1974, 679 pages

Reviews: Maurice Blanchot (1950/1997), William Barrett (Saturday Review, 1953).

PDF (1954, 44 MB, no OCR, IA, added on 2023-5-3)
PDF (1974, 81 MB, no OCR)

Roger Shattuck: The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War I., Rev. ed. (1955/1968)

In this book Roger Shattuck portrays the cultural bohemia of turn-of-the-century Paris who carried the arts into a period of renewal and accomplishment, and laid the ground-work for Dada and Surrealism.

“…Then came the idea–a kind of gambler’s hunch–that the trio Rousseau-Satie-Apollinaire represented several significant aspects of the period and could reveal them better than any single figure. The idea would not die. [..] Jarry had forced his way into the group and established himself close to the center of things. He helped clarify my underlying subject: how the fluid state known as bohemia, a cultural underground smacking of failure and fraud, crystallized for a few decades into a self-conscious avant-garde that carried the arts into a period of astonishingly varied renewal and accomplishment. [..] An enormous amount has been written on this era and these men since the first edition of this book in 1958. I have taken account of some of it by changing those passages where new facts have come to light.” (from the Preface to this edition)

First published in 1955
Publisher Vintage Books, 1968
397 pages

Review (Alfred Kazin, The Reporter, 1958)
Review (Sidney Tillim, College Art Journal, 1959)
Review (Justin O’Brien, The Saturday Review, 1958)

PDF (115 MB, no OCR)

Richard Kostelanetz: Dictionary of the Avant-Gardes (1993–)

“This book elucidates, celebrates, enumerates, and sometimes obliterates achievers and achievements in the avant-garde arts. Although it runs from A to Z, it could as easily have been written from Z to A (or in any other order you might imagine) and may be read from front to back, back to front, or point to point. It is opinionated, as all good dictionaries should be, but it is also inclusive, because there can never be just one avant-garde.

Blake • Rimbaud • Apollinaire • Stein • Cage • Lichtenstein • Tatlin • Keaton • Captain Beefheart • Hologram • Text-Sound Texts • Strobe Light • Grotowski • Soho • Micropress • Electronic Music • Reinhardt • Pound • Performance • Postmodern • Duchamp • Fuller • Oldenberg • Paik • Armory Show • Reich • Cunningham • Copy Culture • Pattern Poetry • Bread and Puppet Theatre” (from the back cover)

With contributions by Richard Carlin, Geof Huth, Gerald Janecek, Katy Matheson, H.R. Brittain, John Robert Colombo, Ulrike Michal Dorda, Charles Doria, and Robert Haller.

Publisher A Capella Books, an imprint of Chicago Review Press, 1993
ISBN 1556522029
246 pages

PDF
2nd edition (2000, 47 MB, added on 2020-3-18)
New additions (2011) selected for Soanyway by Derek Horton (HTML)